Latino USA

Violeta Parra changed music in her native Chile and beyond. She is known as the “Mother of La Nueva Canción,” a political folk music movement that swept Latin America in the late 1960s. Most people might have heard a version of her masterpiece “Gracias a la vida,” which has been covered countless times across the world. But behind that anthem of gratitude there is a deeply existential and complex musician who presented love as an ethical principle in her songs, even when her own life was marked by loss and illness. In the latest episode of our Genias in Music series —about the lives and work of notable women musicians— we dive into the complexities of Violeta Parra, a pioneer of political folk music in Latin America.See omnystudio.com/listener for privacy information.

The Tiarras have been playing together since they were just little girls, but they’ve been sisters forever. The band is arguably best known for writing and performing catchy tunes that dive into themes of Latina empowerment, self-love and they’re not afraid to get political. On this episode of Latino USA, these hermanas tell us more about the role sisterhood plays in their creative process and why they hope their art and journey inspires future generations of Latinos and Latinas.See omnystudio.com/listener for privacy information.

To kick off Latino USA's 2022 election cycle coverage, Maria Hinojosa and Julio Ricardo Varela are joined by Maria Teresa Kumar, founding president and CEO of Voto Latino, and Jaime Longoria, manager of research and training for the Disinfo Defense League at Media Democracy Fund for a conversation about misinformation and disinformation in the Latino community. They get into who is behind these disinformation campaigns, their impact on communities and the organizing that is being done to counter these issues.See omnystudio.com/listener for privacy information.

Elizabeth Acevedo is a Dominican-American poet and award-winning author. Her debut young adult novel "The Poet X" made the New York Times bestseller list in 2018. With the Fire on High —Acevedo’s second novel— tells the story of an Afro-Latina who dreams of becoming a chef. We sit down with Elizabeth Acevedo to talk about how storytelling became an important part of her life, her identity, and the impact of her success. This episode was originally broadcast on May 28, 2019.See omnystudio.com/listener for privacy information.

The following Latino USA story was originally broadcast on May 31, 2019. It was also the recipient of a 2020 Gracie Award from the the Alliance for Women in Media. Huntsville, Alabama has a small, but growing Latino population. It's where Teresa Matías, a single working immigrant mother from Guatemala, lived with five sons. In 2015, Teresa joined a local Catholic church, baptized her sons and found them godparents. The godparents of her youngest son would take a special liking to him. Over the next year, a series of events would begin to unravel —in which the godparents got lawyers and judges involved— eventually resulting in Teresa giving up complete parental rights to her youngest son. But in all these meetings, Teresa, who knows only a few words in English and grew up speaking a Mayan language, never had a proper interpreter. Latino USA chronicles Teresa's story and how she ended up making a life-changing decision without full consent and proper translation.See omnystudio.com/listener for privacy information.

Latino USA provides an update to a story we recently did about Melissa Lucio, the first Latina on death row in Texas.See omnystudio.com/listener for privacy information.

Doris Anahi Muñoz always sang. In fact, singing was her first career choice. But reality hit when she realized in her teenage years that she had to secure a career so that she could provide for her undocumented parents. Her dream of becoming a singer came to a halt. Instead, she got involved in the music industry from behind the scenes and became very successful: at 23 years old, she founded her own music management company representing indie Latino emerging artists and launched a series of fundraising concerts for immigrant communities. But soon after she realized she was unhappy.That’s when Doris decided it was time to choose herself and step onto the stage as a singer and musician.See omnystudio.com/listener for privacy information.

When Elisa Baena and Monica Morales-García first met on their first day as Latino USA fellows, they realized they were speaking a shared language — an ancestral tongue. They were chismeando! Chisme is the Spanish word for gossip. It happens when you speak about someone in their absence, sharing information that’s supposed to be private and not necessarily factual. In this episode of Latino USA, Elisa and Monica travel deep into a chismosa’s universe. They talk to professional chismosas from reality TV, entertainment news and academia to understand why chisme is so central in the lives of Latinas and Latinos.See omnystudio.com/listener for privacy information.

Dahlma Llanos-Figueroa grew up listening to the stories of her rural Afro Puerto Rican community of Puerto Rico, but when she moved to New York, she realized that not everybody had access to this kind of storytelling. After a long career as school teacher and librarian, Dahlma realized that she needed to write the stories her mostly Dominican and Puerto Rican students in the Bronx were missing. Dahlma shares how she found her writing voice and gives us a sneak peak of her new novel, A Woman of Endurance, which centers the experience of an enslaved woman in Puerto Rico.See omnystudio.com/listener for privacy information.

La Lupe was a legendary Afro-Cuban singer who was once known as the “Queen of Latin Soul.” She was one of the top performers in Havana cabarets amid the Cuban Revolution and became a legendary figure in New York after fleeing Cuba. She worked with some of Latin music’s biggest names, including Tito Puente, and was known for explosive boleros like “Qué Te Pedí” and “La Tirana.” By the mid-1970s, Lupe’s label was acquired by Fania Records and she was pushed aside. She earned the reputation of being difficult to manage and there were rumors that she was a drug abuser, even though her family and friends have consistently denied these claims. Changing tastes in Latin music coupled with her strained reputation led her career to decline by the 80s. This episode of Latino USA is part of our Genias in Music series, remembering notable women and their contributions to their fields throughout history. We question some of the myths about La Lupe that attempted to delegitimize her music and look at how her identity as an Afrolatina influenced the racist and sexist characterizations of her as “possessed,” “crazy” and “on drugs.” But by singing and moving in the ways she was known for, she was resisting her erasure and claiming her space –– whether audiences understood it or not.See omnystudio.com/listener for privacy information.