Yes, Also

Yes, Also
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May 21, 2024 • 1h 10min

Yes, Also - Julie Brister

Julie Brister (UCB, WGIS) talks about self-doubt, her beginnings in New York in the late 80’s, the start of UCBNY, being taught by Ian Roberts and Amy Poehler, improvising on Zoom, teaching internationally, opinions on forms, learning to listen, her trick for remembering suggestions, finding characters through physicality, her love of selfish characters, and more! Access to double the content and other perks at ⁠⁠yesalso.supercast.com⁠⁠!Follow us on instagram ⁠@yesalsopod⁠ & TikTok ⁠@yes.also.pod⁠Email us with your ideas and questions @ yesalsopod@gmail.com New episodes every Tuesday!
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May 14, 2024 • 1h 3min

Yes, Also - Carl Tart

Carl Tart (Grand Crew, In the Know), talks about improv as basketball, how to move a scene forward as the voice of reason character, Carl’s early days as a background actor, his training at Second City, how he deals with not getting laughs, working on Grand Crew, improv as a way to sharpen your instincts, the comedic voices that shaped him, and more!Access to double the content and other perks at ⁠⁠yesalso.supercast.com⁠⁠!Follow us on instagram ⁠@yesalsopod⁠ & TikTok ⁠@yes.also.pod⁠Email us with your ideas and questions @ yesalsopod@gmail.com New episodes every Tuesday!
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May 13, 2024 • 1h 18min

Yes, Also - Jake Jabbour

Jake Jabbour (founder of WE Improv) talks about the origin and philosophy of his school, cultivating non-judgmental awareness, improv as a window into self, Jake’s epic nine-audition journey to Harold night, holding scenes loosely, external vs. internal validation, aiming for surprise in scenes, advanced moves for established groups, and more!Access to double the content and other perks at ⁠⁠yesalso.supercast.com⁠⁠!Follow us on instagram ⁠@yesalsopod⁠ & TikTok ⁠@yes.also.pod⁠Email us with your ideas and questions @ yesalsopod@gmail.com New episodes every Tuesday!
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Apr 30, 2024 • 1h 10min

Yes, Also - Vic Michaelis

Vic Michaelis, a talented comedian and improviser known for his work on Dropout TV's Very Important People, shares fascinating insights into the world of filmed improv. He discusses how live audience reactions shape a performance and the unique challenges of adapting long-form improv for the screen. The conversation also dives into the mathematical approach to improv and the significance of obstacles in driving comedy. Vic reflects on his journey from bootcamp to confidence, emphasizing the importance of team chemistry in creating magic on stage.
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Apr 23, 2024 • 1h 10min

Yes, Also - Brendan Hunt

Brendan Hunt, the co-creator of Ted Lasso and actor known for his role as Coach Beard, discusses his journey from the Chicago improv scene to Amsterdam's Boom Chicago. He shares his insights on the emotional aspects of improv, the origins of Ted Lasso, and the hilarious misadventures of corporate shows. Brendan also reflects on his new solo show, emphasizing the importance of rehearsal and collaboration in improv, while imparting wisdom on how laughter can serve as a vital survival skill.
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Apr 16, 2024 • 1h 1min

Yes, Also - Oscar Montoya

On this week's episode, Oscar Montoya (Minx, Eurovangelists) talks about his his rocky start with improv, his move from New York to LA, owning your playfulness, the importance of playing with honesty, seeing your characters as real people, the Soundtrack Harold, Dance-prov, why he loves doing Harolds, the power of entrances and exits, and more!Access to double the content and other perks at ⁠⁠yesalso.supercast.com⁠⁠!Follow us on instagram ⁠@yesalsopod⁠ & TikTok ⁠@yes.also.pod⁠Email us with your ideas and questions @ yesalsopod@gmail.com New episodes every Tuesday!
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Apr 9, 2024 • 1h 22min

Yes, Also - Phil Augusta Jackson

Writer/showrunner/rapper/poet Phil Augusta Jackson (Grand Crew, Key and Peele) sits down with Suzi to discuss his path from advertiser to improviser, the ingredients for a perfect improv space, his outside-the-box New York improv shows, improv’s relationship to audience, how he makes voice of reason characters fun, the problem with over-justification, why he loves breakup scenes, improv as therapy, and more!Access to double the content and other perks at ⁠⁠yesalso.supercast.com⁠⁠!Follow us on instagram ⁠@yesalsopod⁠ & TikTok ⁠@yes.also.pod⁠Email us with your ideas and questions @ yesalsopod@gmail.com New episodes every Tuesday!
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Apr 9, 2024 • 60min

Yes, Also - Payam Banifaz

Actor/Comedian/lover of animals Payam Banifaz (Everything Everywhere All at Once, Shameless) stops by to talk to Suzi about the physics of comedy, the unique challenges of being an immigrant who wants to be an actor, how to access the universal through specificity, the importance of personal voice, comedic influences, the search for identity, Payam’s favorite types of characters to play, and more!Access to double the content and other perks at ⁠⁠yesalso.supercast.com⁠⁠!Follow us on instagram ⁠@yesalsopod⁠ & TikTok ⁠@yes.also.pod⁠Email us with your ideas and questions @ yesalsopod@gmail.com New episodes every Tuesday!
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Apr 9, 2024 • 57min

Yes, Also - Stephanie Allynne

Actor/writer/director Stephanie Allynne (The L Word, One Mississippi) joins Suzi for a good ol' fashioned improv nerd-out. They talk about Stephanie's journey from sketch to improv, the subjectivity of comedy, following the path that’s right for you, the difference between the Groundlings and UCB, acting energy vs. performance energy, interpretive creativity vs. generative creativity, how improv shows up in her work as a director, and more!Access to double the content and other perks at ⁠⁠yesalso.supercast.com⁠⁠!Follow us on instagram ⁠@yesalsopod⁠ & TikTok ⁠@yes.also.pod⁠Email us with your ideas and questions @ yesalsopod@gmail.com New episodes every Tuesday!
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Apr 8, 2024 • 1h 5min

Yes, Also - Will Hines

Will Hines, a veteran improviser and founder of the World's Greatest Improv School, shares his journey from programming to improv at UCB. He reminisces about the early days of UCB New York, its vibrant community, and the magnetic pull it had on talent like Amy Poehler and Fred Armisen. Hines dives into the nuances of improv, defending game-driven techniques while critiquing premise-heavy initiations. He also discusses his quest for a balanced curriculum that simplifies initiation and fosters creative freedom in performers.

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