Kyle Meredith With...

Silverstein singer Shane Told jumps on the line with Kyle Meredith to dish about the band's latest LP, A Beautiful Place To Drown, which arrives on the emo-metal group's 20th anniversary. Told discusses writing on synth and employing saxophone for the first time, knowing when to scream, and the importance of hope in a set of otherwise despair-filled lyrics. The new record takes a hard look at mental health and mass anxiety surrounding the current landscape, and even gives a history lesson on the Vietnam draft in a song called "Sept. 14". We also get to hear about the album's guests, which includes Aaron Gillespie from Underoath and Princess Nokia. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dave Clark of The Dave Clark Five gives Kyle Meredith a call to talk about the band's new compilation, All The Hits, which finds the legendary group's songs on vinyl for the first time in decades, remixed and remastered at Abbey Road Studios. On that topic, Clark dispels the long-running notion that there was ever a rivalry between the DC5 and The Beatles. We also hear about taking on their record label to release "Because" as a single, the Coast To Coast LP (fun fact: "Any Way You Want It" was the final song the Ramones ever played live), and the untold story behind "Universal Love", which was brought out of the vaults to close out this collection. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Poliça vocalist Channy Leaneagh speaks with Kyle Meredith about the band's new record, When We Stay Alive, and the 10 ft. fall from a rooftop that left her temporarily paralyzed while writing the songs. Leaneagh discusses the identities of her own character both before and after the event, the idea of mentally rewriting her own history as an act of coping, and using that same concept in all of our lives to process the larger cultural environment. We also hear how her involvement in Justin Vernon and Aaron Dessner's People (37d03d) collective has changed the way she approaches writing, and her recent collaborations with Boys Noize and Lane 8. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hollywood Undead’s Johnny 3 Tears gives Kyle Meredith a shout to discuss the band's latest LP, New Empire Vol. 1. The first of two concept albums finds the band in a much heavier setting than usual, a move that 3 Tears argues comes during a time of reimagining that goes beyond the music and even involves the members leaving their trademark face-masks behind. The two also take some time to talk about the resurgence in metal as a popular genre and the importance of its scene. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Scotty McCreery gives Kyle Meredith a call to dish on The Soundcheck Sessions EP. The country star discusses the validating moment of taking back control over his songwriting and seeing his album Seasons Change soar to No. 1 with the help of single "Five More Minutes". The feat made him the first artist to do so without a manager or label after having been dropped following his 2013 effort. McCreery also talks about being looked at as a perfect Christian kid after winning American Idol's 10th season in 2011 and the difficulties of living up to that image, which can be heard on "In Between" with a set of lyrics that try to dispel the wunderkind pedestal he was put on. We later get an update on his next record that's in the works and hear about his don't-call-it-a-biography travelogue, which was just rereleased in paperback. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Air’s Nicola Godin gives Kyle Meredith a call to discuss his latest solo album, Concrete and Glass, a concept record that has roots in his love for architecture. Godin speaks about the larger topics in play, working alongside Hot Chip’s Alexis Taylor, and why we'll have entire AI-made music on the charts within a year. The two also explore the current trend of minimalism in pop music, his love for sensuality within his own songs, his thoughts on the 20th anniversary of TheVirgin Suicides soundtrack, and his hopes to one day provide music for a sci-fi movie. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Evanescence mastermind Amy Lee gives Kyle Meredith a call to discuss covering Fleetwood Mac’s "The Chain" for Gears of War 5. Lee talks about the mystery of Stevie Nicks, the influence of Beth Gibbons from Portishead, and the differences in writing for gaming versus film soundtracks. The "Bring Me To Life" singer then gives us clues into their next album, which is currently in production. Lee says it's the summation of everything they've done so far with plenty of new moments. The band is working with multiple producers to center in on different styles and hope to begin releasing singles sooner than later. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dashboard Confessional singer-songwriter Chris Carrabba joins Kyle Meredith to discuss his new hits collection, The Best Ones Of The Best Ones, and his 20-year history as an emo original. He explains how he quickly found fans and how those fans helped put together the tracklist for his new collection. On that note, Carrabba also discusses finding rarities, how his lyrics have aged, and his plans to play full album shows on the upcoming tour, particularly 2001's The Places You Have Come to Fear the Most and 2003's A Mark, A Mission, A Brand, A Scar. Later, Carrabba revisits how he rebelled against the industry, and weighs in on being cited as an influence by a generation of Soundcloud rap artists. Ever the music fan himself, he also detours to anticipate new releases from Archers of Loaf, The Cure, and Pearl Jam. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Post Animal’s Jake Hirshland gives Kyle Meredith a call to discuss Forward Motion Godyssey. The two dig into the art and importance of mystery, breaking sonic boundaries, allowing themselves to take on multiple genres, and writing with a shared mind. The record was recorded in Big Sky, Montana, and while Hirschland says there was mystical behavior in the wildlife, the ghosts that haunted 2018's When I Think of You in a Castle didn't follow them. Hirshland also speaks about how house music inspired the lead single "Safe Or Not" and previews their upcoming tour with Cage the Elephant. For information regarding your data privacy, visit acast.com/privacy Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Blitz Vega is the new duo featuring The Smiths co-founder Andy Rourke and KAV, formerly of The Happy Mondays. The two spoke with Kyle Meredith about coming together after Rourke lost D.A.R.K. (and The Cranberries) frontwoman Dolores O'Riordan and the tone that her passing added to these new sessions. We hear what brought on their psychedelic sound and the magic they found within the equipment they used, which included the Ziggy Stardust mixing board and Abbey Road studios. The two also outline their next releases and documentary of their beginnings. For information regarding your data privacy, visit acast.com/privacy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy