Transmissions

Welcome to the kick off of Transmissions' new season with your host, Jason P. Woodbury, after a wonderful summer mini-series from Tyler Wilcox, All One Song: A Neil Young Podcast. We first encountered this week’s guest, New Zealand songwriter, actor, and composer Bret McKenzie, as one half of the indie pop/comedy duo Flight of the Conchords in the mid-2000s. But did you know that before that, he was a member of one of New Zealand’s most popular reggae party bands? "Just for context, reggae music in New Zealand is kind of rock music in America or maybe even country," McKenzie says. "Outside Jamaica, New Zealand has the highest sales of Bob Marley records in the world. And it's the music you hear playing in the background when you're out." Since then, he’s gone onto composer for film and TV projects like The Simpsons, The Muppets, Spongebob Squarepants, and more, and in 2022, he released Songs Without Jokes via Sub Pop Records. Inspired by vintage Los Angeles pop, the record showcased McKenzie sans obvious jokes, but not without levity and good humor. His new album, Freak Out City came out on August 15. Bolstered by vintage electric piano and groovy and psychedelic touches, it finds McKenzie expanding his Nilsson-esque palette with touches of Steely Dan, JJ Cale, and Todd Rundgren. McKenzie joins us on Transmissions to discuss the rabbit holes of modern life, cutting the record with studio legends like Leland Sklar, the Conchords specific brand of comedy, and shares details about his proposed Emmet Otter reboot with Ed Helms. We’re brought to you by Aquarium Drunkard, an independent music media crew headed by Justin Gage. Over at Aquarium Drunkard, you’ll gain access to 20 years of music writing, playlist, essays, mixtapes, radio special, podcasts, videos and more.

Welcome back to All One Song, a Neil Young podcast presented by Aquarium Drunkard Transmissions. We’ve spent the summer talking with some great musicians and writers about the strange and wonderful Neil Young universe. And we’ve had a good time. But all good things must come to an end! After today’s episode, we are handing the keys back to Jason P. Woodbury, the host of Transmissions and editor of Aquarium Drunkard. — he’s got an incredible season of interviews coming your way as summer turns to fall. And hey, our final guest on All One Song is none other than Jason P. Woodbury! Jason is the guy who has been running a lot of the behind the scenes action for All One Song over the past couple months. Transmissions is a consistently fantastic listen, packed with insight, wit and wisdom. The fact that Jason juggles about 50 other cool projects, from his music as JPW to his expanding WASTOIDS empire, makes it even more impressive. We're already talking about more All One Song, but before that … we’ve got one more episode. All One Song has gone all over the place when it comes to Neil eras. But we haven’t delved too much into the 1980s. Jason is righting that wrong. He selected a tune from the generally un-loved 1987 LP with Crazy Horse, Life — “When Your Lonely Heart Breaks.” This aching ballad was played a lot in 1986 and 1987, briefly revived in the mid 1990s and then pretty much forgotten by its author. But maybe Neil will bring it back … just this past weekend, he just played “Long Walk Home” from Life for the first time since 1989 on his current North American tour. Anything can happen in Shakeyland!  Neil’s producer David Briggs called “When Your Lonely Heart Breaks” “a monster song—it should’ve been the ‘I Believe In You’ of the eighties for Crazy Horse—so pure, so simple. But they had no desire to make anything out of it, never played it good, never put anything special into it. It was a shame.” We’ll have to agree to disagree, David! Anyway, we use “When Your Lonely Heart Breaks” to drift back into a lot of different zones, from David Lynch to Michelob Lite. It’s always fun and provocative to chat with him. So without further ado, here’s Jason P. Woodbury on All One Song …  Looking for a digital music platform that feels more like a record shop? ⁠⁠⁠⁠⁠⁠⁠Qobuz⁠⁠⁠⁠⁠⁠⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠⁠⁠⁠⁠⁠⁠Qobuz⁠⁠⁠⁠⁠⁠⁠ a try now with an extended 30-day free trial.

Welcome back to All One Song, a Neil Young podcast presented by Aquarium Drunkard Transmissions. All summer long, we’re talking to some of our favorite musicians and writers about their favorite Neil Young song. Or at least one of their favorite Neil Young songs. This week, our All One Song guest is Ethan Miller. Ethan has been a longtime fixture in the underground, first coming to my attention back in the early aughts as the co-founder of the psych noise pioneers Comets on Fire. But Ethan is nothing if not prolific — he’s played with an array of awesome bands over the years, from Howlin Rain to Feral Ohms to Odyssey Cult. Ethan was also one-fourth of Heron Oblivion with our previous guests Meg Baird and Charlie Saufley … and he’s one-third of the Orcutt Shelley Miller trio, with another previous guest Steve Shelley. It’s all a rich tapestry, right? At least when it comes to Neil Young. The upcoming — and totally amazing — Orcutt Shelley Miller record is being released on Ethan’s own label Silver Current, which is one the most reliable purveyors of sweet sounds both new and old. In recent years, Silver Current has brought us excellent, bootleg-styled archival hauls from Sonic Youth, Galaxie 500 and Earthless, alongside fresh tunes from Magic Fig, Julie Beth Napolin, Growing and many more. Suffice it to say, the Silver Current insignia is a true trademark of quality. For his All One Song appearance, Ethan selected a terrific mid-90s deep cut — “Music Arcade.” This ghostly solo acoustic number showed up on the otherwise Crazy Horse-fueled Broken Arrow in 1996. It’s an enigmatic meditation on loneliness that doesn’t offer the listener any easy answers, like a comet in the sky. Looking for a digital music platform that feels more like a record shop? ⁠⁠⁠⁠⁠⁠Qobuz⁠⁠⁠⁠⁠⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠⁠⁠⁠⁠⁠Qobuz⁠⁠⁠⁠⁠⁠ a try now with an extended 30-day free trial.

This week’s All One Song guest is the definition of a multi-hyphenate — your friend and ours, Jesse Jarnow. Jesse is an incredible writer, having penned such essential books as Big Day Coming: Yo La Tengo and the Rise of Indie Rock, Heads: A Biography of Psychedelic America,  Wasn’t That a Time: The Weavers, the Blacklist, and the Battle for the American Soul, and the forthcoming epic, The Invisible Hit Parade: A People’s History of Recorded Music. You’re probably going to recognize Jesse’s voice. He’s a longtime DJ over at WFMU, the world’s greatest free-form independent radio station, hosting the Frow Show every Tuesday night, bringing strange and wonderful sounds to the masses. He’s also a podcaster, writing and co-producing the amazing Good Ol’ Grateful Deadcast, which recently kicked off its 12th season. The Deadcast’s depth of research, insight and sweet vibes puts pretty much every other podcast to shame—including this one. Finally, Jesse is one-third of Sloppy Heads, a long-running Brooklyn-based band with two excellent albums, Useless Smile and Sometimes Just One Second under their belt. Now that we’ve gotten Jesse’s bona fides out of the way … which Neil Young song did he select to talk about with us on All One Song? Well, Jesse dug way down in the rust bucket for “Sedan Delivery,” a raucous number that first appeared on the classic 1979 Crazy Horse LP Rust Never Sleeps.  “Sedan Delivery”’s history stretches back several years, though — Neil and the Horse first tried it out during the Zuma sessions in 1975, giving it a somewhat lumbering lope. You can hear that version these days on Chrome Dreams. But with the subsequent dawning of punk, Neil and the crew injected this weird, semi-sci-fi with a dose of pure, demonic energy. Though it was hard to find in setlists for a little while there, by the mid-'90s, it became a mainstay in Crazy Horse’s live repertoire, giving the band a chance to gleefully drive 90 miles an hour down a dead-end street. Looking for a digital music platform that feels more like a record shop? ⁠⁠⁠⁠⁠Qobuz⁠⁠⁠⁠⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠⁠⁠⁠⁠Qobuz⁠⁠⁠⁠⁠ a try now with an extended 30-day free trial.

Welcome back to All One Song, a Neil Young podcast presented by Aquarium Drunkard Transmissions. This week is going to be slightly different. This week, we’re talking about a song that was not written by Neil Young. Nevertheless, it’s a song that is very much a part of the Shakey multiverse: Danny Whitten’s “I Don’t Want To Talk About It,” which appeared on Crazy Horse’s debut LP in 1970. Danny Whitten, of course, was one of Neil’s key collaborators and musical soul mates before his untimely death in late 1972. A little while later that decade, Rod Stewart took “I Don’t Want To Talk About It” to the top of the charts. But it’s Whitten’s version that remains definitive. Here to guide us through the impossibly lonesome landscapes of “I Don’t Want To Talk About It” is singer-songwriter Rosali Middleman—or just Rosali if you prefer. She’s been a longtime fixture over at Aquarium Drunkard. But even though we've loved pretty much everything she’s done, she somehow seems to get better with each new album. Her latest release, Bite Down on Merge Records, may well be her best effort yet. And that’s saying something! It’s packed with exceptionally well-crafted songs that feel as if you’ve known them your whole life. An instant classic, as they say.   Bite Down is Rosali’s second album with the Omaha-based Mowed Sound, which features David Nance, James Schroeder and Kevin Donahue. As we speak here in August 2025, Rosali and Mowed Sound are touring the USA, and I strongly encourage you to go see them. They’re a terrific live act … and there are definitely plenty of Crazy Horse vibes, as we discuss. Looking for a digital music platform that feels more like a record shop? ⁠⁠⁠⁠Qobuz⁠⁠⁠⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠⁠⁠⁠Qobuz⁠⁠⁠⁠ a try now with an extended 30-day free trial.

Welcome back to All One Song: A Neil Young Podcast. We’re spending the summer talking to some great musicians and writers about their one favorite Neil Young song. Or at least one of their favorite songs. Last week, our guest was Steve Shelley of Sonic Youth — and of course, the conversation went deep into Steve’s memories of Sonic Youth’s tour with Neil and Crazy Horse in 1991, when both bands were bringing incredible waves of feedback to the masses across North America. An exciting time! For Neil, the tour resulted in a fairly traditional live album, the classic double-disc Weld. But that wasn’t all. Inspired partly by what he heard Sonic Youth doing, Young also put together Arc, one of — if not the — most avant-garde pieces of music Young has ever created. Basically, it’s a 35-minute noise collage consisting of the elongated and improvised endings of various songs that he and the Horse played in early 91. It’s the sound of amplifiers pushed to their limits, of things falling apart in ragged, glorious fashion. It’s an expressway to yr skull, as Sonic Youth put it. Here this week to examine the mysteries and magic of Arc is Ilyas Ahmed. The Portland, OR-based musician has been making consistently fascinating music for well over two decades now, whether all on his own or in close collaboration with fellow travelers like Grouper, Jefre Cantu-Ledesma, Golden Retriever, Dania Shihab and many more. He also serves as guitarist in Grails, an awesomely uncategorizable collective that just put out one of the 2025’s best records — the appropriately named Miracle Music. No matter what Ilyas does, it’s always infused with a sense of curiosity, adventure and imagination. Our conversation about Arc goes in a bunch of different directions — it’s a rich text, as the academics like to say. So let’s get into it … Looking for a digital music platform that feels more like a record shop? ⁠⁠⁠Qobuz⁠⁠⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠⁠⁠Qobuz⁠⁠⁠ a try now with an extended 30-day free trial.

Welcome back to ⁠All One Song⁠, A Neil Young Podcast presented by Aquarium Drunkard. We’re spending the summer talking to a few of our favorite artists and writers about their favorite Neil Young song. This week, we’ve got someone very special: Steve Shelley of Sonic Youth. Steve spent about 25 years behind the drum kit for Sonic Youth as the band radically redefined and reimagined rock and roll. He’s easily one of the greatest drummers of the past four decades, as heard on such classics as Sister, Daydream Nation, Washing Machine, Murray Street, and beyond. His style is explosive, sensitive and always imaginative. Steve is so much fun to listen to, in pretty much any context.   Since Sonic Youth called it quits, Steve has kept incredibly busy, not only managing the ever-expanding SY archives, but also playing with his former bandmates Lee Ranaldo and Thurston Moore, Can vocalist Malcolm Mooney, Bush Tetras, Tape Hiss and the forthcoming Orcutt / Shelley / Miller LP coming out on Silver Current Records later this year. We've heard this one already and it is absolutely fantastic. Steve also currently is handling drumming duties for the killer Winged Wheel. For those of you seeing Neil at Bethel Woods in upstate New York on August 24 this year, be sure to get there a little early. Winged Wheel will be warming things up on a separate stage, which is sure to be amazing. Now, the topic has already come up in previous episodes — Sonic Youth’s early 1991 tour with Neil Young & Crazy Horse, which saw both bands bringing their ear-shredding, feedback-laced sound to arenas across North America. Steve goes deep into that never-to-be-repeated moment in time plenty over the course of our discussion. But we also talk plenty about Steve’s All One Song selection, "Vampire Blues." A song that just so happens to have inspired the name of Steve’s record label, too. "Vampire Blues" was released in the summer of 1974 on the classic Ditch LP On The Beach. A seedy, bluesy shuffle, it seems to be sung from the point of view of an oil tycoon of some sort; though it doesn’t really sound like it at first, this is one of Neil’s ecological songs. He barely ever played it live at first, but he’s revived it in the past decade or so; it showed up most recently in solo electric guise on the Coastal soundtrack. Looking for a digital music platform that feels more like a record shop? ⁠⁠⁠Qobuz⁠⁠⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠⁠⁠Qobuz⁠⁠⁠ a try now with an extended 30-day free trial.

Welcome back to All One Song, A Neil Young Podcast presented by Aquarium Drunkard. We’re spending the summer talking to a few of our favorite artists and writers about their favorite Neil Young song.  This week, you’re getting two fantastic guests for the price of one: Meg Baird and Charlie Saufley. Meg first came to my attention thanks to her work with the innovative Philadelphia psych-folk collective Espers, and since then she’s created a pretty much flawless solo career — her most recent record, 2023’s Furling, is a perfect showcase for her pristine guitar work and beautiful vocals. Charlie Saufley co-produced that record with Meg and the duo also played in Heron Oblivion with Ethan Miller and Noel Von Harmonson — a group that only managed one studio record during their existence, but that’s ok. That one studio record was awesome. Charley also played in the Bay Area psychedelic rock group Assemble Head in Sunburst Sound; he’s a killer guitarist, and — like Meg — is a serious Neil head. That last fact should be apparent in the tune Meg and Charlie selected for their All One Song appearance: “Interstate.” This brilliantly moody number is a strong candidate for the best Neil Young song that barely anyone knows about. Though you probably know about it if you’re here. Neil debuted “Interstate” onstage in 1985 with the International Harvesters. But like so many of his strongest songs during that era, it was set aside for reasons that only Shakey can fathom. A few years later, producer David Briggs convinced him to cut the song with Crazy Horse during the Ragged Glory sessions. It’s an incredibly haunting performance, with skeletal acoustic guitars and high, lonesome Horse harmonies. But Neil still wasn’t feeling it —we guess “Farmer John” needed to be heard! Finally in 1996, that Ragged Glory performance was released on the Big Time CD single and as a vinyl only bonus track on Broken Arrow. These days, you can get it on the recent “Smell The Horse” edition of Ragged Glory. So yeah, it's a long, twisted story, as is the case with a lot of things in the Neil Young world. But “Interstate” deserves a place in the pantheon of Neil classics, regardless of its relative obscurity. It’s this kind of song that turns a casual fan into, well, an obsessive, promising that there’s always more buried treasure lurking in the Shakey archives. Looking for a digital music platform that feels more like a record shop? ⁠⁠Qobuz⁠⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠⁠Qobuz⁠⁠ a try now with an extended 30-day free trial.

Welcome back to All One Song, A Neil Young Podcast presented by Aquarium Drunkard Transmissions. We're spending the summer talking to a few of our favorite artists and writers about their favorite Neil Young song.  Our guest this week is Jeff Parker, best known as the guitarist for the long-running Chicago post-rock group Tortoise. Jeff  has been on a serious hot streak of late. He’s released awesome, entirely solo records like Slight Freedom and Forfolks, along with great albums with the New Breed. He’s collabed with heavy hitters like Daniel Villareal and Makaya McKraven. He’s been an invaluable part of the Big Ego label’s session player roster, contributing to great records by Psychic Temple, Dave Easley and Maria Elena Silva. And Jeff is the leader of one of the most exciting improv groups working today — the ETA quartet, featuring Parker, drummer Jay Bellerose, bassist Anna Butterss and saxophonist Josh Johnson. Their second LP, The Way Out of Easy, was one of the very best records of 2024. Oh and did we mention that there’s a brand new Tortoise album on the way later this year? Jeff is a busy dude, to say the least. Now Jeff might not seem like the most obvious All One Song guest — his and Neil’s styles feel miles apart. At least at first! But as we get into in our conversation, Jeff has found some serious inspiration in Young’s unique approach to the acoustic guitar. And the acoustic guitar is central to the song he selected to talk about: “The Needle and the Damage Done.” This haunting solo number from 1972’s Harvest remains one of Neil’s signature tunes. It’s a song that even the most casual of fans knows by heart. But Jeff’s perspective on this warhorse opened it back up — and hopefully it’ll do the same for you.  Looking for a digital music platform that feels more like a record shop? ⁠Qobuz⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠Qobuz⁠ a try now with an extended 30-day free trial.

We hope you enjoyed the first episodes of Tyler Wilcox’s All One Song series, but we're back with, well, something different: it’s a bonus Transmissions conversation between Transmissions host Jason P. Woodbury and musician, writer, and podcaster Stephen Coates, host of the Bureau of Lost Culture. This episode also appears today in the Bureau of Lost Culture feed and I can’t recommend checking that show out enough if you haven’t already. Dedicated to counter cultural explorations, the show has covered everything: Stonehenge, club culture, Victorian freak shows, mushrooms, ska, the Beats, teddy boys (and teddy girls) and much more. One of my favorite episodes—and one that spurred this conversation—features esoteric author Gary Lachman in conversation with the great writer and magician Alan Moore—though usually, it’s Stephen who steers the conversations along, quite masterfully, as he does here.  We recorded this a few months back, and we're excited to share it with you to tide you over ahead of next week’s brand new installment of All One Song, so without delay, let’s get it into it. All music in this episode by Prairiewolf. Looking for a digital music platform that feels more like a record shop? ⁠Qobuz⁠ is the high quality music streaming & download platform for music enthusiasts and audiophiles, offering unique editorial, exclusive artist interviews, expertly curated playlists, liner notes, and more. With Qobuz Club, subscribers can connect and share music discoveries with a community of fellow music lovers. And for those who like to own their music, the Qobuz Download Store lets you browse and download albums in Hi-Res and CD quality. Give ⁠Qobuz⁠ a try now with an extended 30-day free trial.