In Our Time

BBC Radio 4
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May 15, 2003 • 28min

The Holy Grail

Melvyn Bragg and guests discuss the Holy Grail.Tennyson wrote:“A cracking and a riving of the roofs,And rending, and a blast, and overheadThunder, and in the thunder was a cry.And in the blast there smote along the hallA beam of light seven times more clear than day:And down the long beam stole the Holy Grail”.The sacred allure of the Grail has fascinated writers and ensnared knights for a thousand years. From Malory to Monty Python, it has the richest associations of any artefact in British myth. But where does the story spring from? What does it symbolise and why are its stories so resolutely set in these Isles and so often written by the French?With Dr Carolyne Larrington, Tutor in Medieval English at St John’s College, Oxford; Jonathan Riley-Smith, Dixie Professor of Ecclesiastical History at Cambridge University; Dr Juliette Wood, Associate Lecturer in the Department of Welsh at the University College of Wales in Cardiff.
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May 8, 2003 • 42min

The Jacobite Rebellion

Historian Melvyn Bragg and guests explore the Jacobite Rebellion of 1745, discussing Bonnie Prince Charlie's campaign, the Highland clans' support, challenges faced during the rebellion, misinformation tactics used, and the impact of the Stuart dynasty in Scotland.
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May 1, 2003 • 28min

Roman Britain

Discussing the Romans in Britain, the motives behind their conquest, challenges faced by Roman legions, exploitation and cultural clash, and the enigmatic female leader in a Roman rebellion.
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Apr 17, 2003 • 42min

Youth

Exploring the concept of youth from ancient Greek rituals to Roman mentorship traditions, Renaissance ideals, and 19th-century societal perceptions. Delving into the evolution of youth culture, criminal depictions in Dickens' works, and the impact of psychiatry on youth perception. Reflecting on the enduring fascination and fear surrounding youth throughout history.
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Apr 10, 2003 • 41min

Proust

Melvyn Bragg and guests discuss Marcel Proust's novel 'À La Recherche du Temps Perdu', exploring his stylistic innovation, sensory themes, and impact on the 20th-century novel development. They delve into his fascination with memory, influence on British literature, and the complexities of his writing style.
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13 snips
Apr 3, 2003 • 41min

The Spanish Civil War

Exploring the roots of the Spanish Civil War, Franco's religious crusade narrative, the extreme brutality and repression during the conflict, and the international involvement of Fascist and Communist forces. Discussing the impact on Spain's history and the ongoing challenges of coming to terms with the past.
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Mar 27, 2003 • 28min

The Life of Stars

Discover the poetic symbolism and scientific reality of stars, from their birth in gas and dust to explosive ends. Experts discuss stellar formation, the role of gravity, fusion processes, supernovae brightness, black hole creation, and the impact of gravity waves on spacetime.
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Mar 20, 2003 • 41min

Originality

Melvyn Bragg and guests explore the creative force of originality. How far is it to do with origins, how far with the combination of the discoveries of others, which were themselves based on the thoughts of others, into an ever-receding and replicating past? Is invention original? Is original important? Is tradition more interesting and the reworking of what is traditional of greater value than the search for idiosyncrasy? And did our notion of the original genius come as much out of a commercial imperative for individual copyright in the eighteenth century, as a romantic view of human nature which came in, perhaps not co-incidentally, at the same time? In 1800, in his preface to Lyrical Ballads, Wordsworth wrote "Every great and original writer, in proportion as he is great and original, must himself create the taste by which he is to be relished". But did the notion of originality begin with the Romantics in the 18th century, or has society always valued originality? Should we consider Shakespeare an innovator or a plagiarist?To what extent is originality about perception rather than conception and is originality a concept without meaning today?With John Deathridge, King Edward Professor of Music at King’s College London; Jonathan Rée, philosopher and author of Philosophical Tales; Professor Catherine Belsey, Chair of the Centre for Critical and Cultural Theory at Cardiff University
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Mar 13, 2003 • 28min

Redemption

Melvyn Bragg and guests discuss redemption. In St Paul's letter to the Galatians, he wrote: "Christ has set us free; stand fast therefore, and do not submit again to a yoke of slavery". This conception of Redemption as freedom from bondage is crucial for Judeo-Christian thought. In Christianity, the liberation is from original sin, a transformation from the Fall to salvation - not just for mankind but for individual human beings. The content of that journey is moral, gaining redemption by becoming better.So why is the idea of transformation so appealing to human beings? To what extent were Christian views of Redemption borrowed from Judaism? How did philosophers such as Marx reinterpret the concept of Redemption and can redemption retain its value in a world without God? Does its continuing power signify a deep psychological need in humankind?With Richard Harries, Bishop of Oxford; Janet Soskice, Reader in Modern Theology and Philosophical Theology at Cambridge University; Stephen Mulhall, Fellow and Tutor in Philosophy at Oxford University.
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Mar 6, 2003 • 28min

Meteorology

Melvyn Bragg and guests discuss meteorology. The Book of Genesis resounds with a terrible act of vengeance, carried out by an angry God seeking to punish his people. And the mechanism with which this is carried out - a catastrophic flood which wipes out evil on earth. In fact, many ancient civilisations believed extreme meteorological phenomena like thunder and lightning, hailstones and even meteors were acts of divine intervention. Running parallel with this belief, however, was also a desire to understand and explain the natural world through rational enquiry and observation. This complex relationship – between the natural world and divinity – has fascinated philosophers, artists and scientists alike from antiquity to our own time. Aristotle, for example, coined the phrase meteorology but to what extent did he link meteorological events to the cosmos and the Gods? How did the development of instrumentation during the Renaissance aid the prediction of weather events? Why did 18th century writers such as Keats feel that these scientific advances stripped the skies of its mystique and romance? And why does meteorology continue to fascinate and mystify to this day? With Vladimir Jankovic, Wellcome Research Lecturer at the Centre for the History of Science, Technology and Medicine at Manchester University;Richard Hamblyn, writer; Liba Taub, Director of the Whipple Museum of the History of Science at Cambridge University.

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