New Books in East Asian Studies

Haruki Murakami, a global literary phenomenon, has said that he started writing fiction as a means of self-therapy. What he has not discussed as much is what he needed self-therapy for. This book argues that by understanding more about why Murakami writes, and by linking this with the question of how he writes, readers can better understand what he writes. Murakami's fiction, in other words, can be read as a search for self-therapy. In five chapters which explore Murakami's fourteen novels to date, Haruki Murakami and the Search for Self-Therapy: Stories from the Second Basement (Bloomsbury, 2022) argues that there are four prominent therapeutic threads woven through Murakami's fiction that can be traced back to his personal traumas - most notably Murakami's falling out with his late father and the death of a former girlfriend – and which have also transcended them in significant ways as they have been transformed into literary fiction. The first thread looks at the way melancholia must be worked through for mourning to occur and healing to happen; the second thread looks at how symbolic acts of sacrifice can help to heal intergenerational trauma; the third thread looks at the way people with avoidant attachment styles can begin to open themselves up to love again; the fourth thread looks at how individuation can manifest as a response to nihilism. Meticulously researched and written with sensitivity, the result is a sophisticated exploration of Murakami's published novels as an evolving therapeutic project that will be of great value to all scholars of Japanese literature and culture.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

How should one dwell in endtime? In this SPIDER-spun web of a book, Wendi Adamek guides readers to the visual and textual traces left by Buddhist nuns, monks, and devotees on mountainsides in Baoshan, north central China, and through them, the soteriology of Buddhism in the medieval world. The convents have vanished and the stones weathered, but the skillful work in maintaining co-constitutive relations is as palpable as ever.Thoroughly researched and artfully written, Practicescapes and the Buddhists of Baoshan (Hamburg Buddhist Studies, 2021) advances scholarship without leaving the lay reader behind. The comparative insights, theory-work, and appended transcriptions of this definitive study constitute a gift to past, present, and future travelers.This book is available open-access.Jessica Zu is an Assistant Professor in the School of Religion at USC Dornsife. She specializes in modern Chinese Yogācāra and Buddhist social philosophy. You can find her on Twitter @ JessicaZu7 or email her at xzu@usc.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

On July 6, 1998, the last flight took off from Kai Tak International Airport, marking the end of an era for Hong Kong aviation. For decades, international flights flew over the roofs of Kowloon apartments, before landing on Kai Tak’s runway, extending out into the harbor.Kai Tak–frankly, a terrible place for one of the world’s busiest international airports–is a good symbol of the story of Hong Kong’s aviation, as told in Hong Kong Takes Flight: Commercial Aviation and the Making of a Global Hub, 1930s–1998 (Harvard University Press, 2022) by John D. Wong and published by Harvard University Press.Hong Kong’s growth as a hub for commercial aviation was often unplanned, often the result of compromise–and yet wildly successful. The city was able to carve a niche for itself, in both the declining British empire and the wider world, while also having to deal with colonial bureaucracy, geopolitics, fierce competition and an entirely new Communist government across the border.In this interview, John and I talk about Hong Kong’s history with aviation, from its very start with flying boats and puddlejumpers right through to the jumbo jet era.John D. Wong is Associate Professor at the Hong Kong Institute for the Humanities and Social Sciences and the School of Modern Languages and Cultures, The University of Hong Kong. He is also the author of Global Trade in the Nineteenth Century: The House of Houqua and the Canton System (Cambridge University Press, 2016)You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Hong Kong Takes Flight. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Critics of globalisation come in many forms from environmentalists to trade unionists and many others in between. In the midst of all the controversy less attention has been paid to how big a phenomenon globalisation actually is and how it compares to another trend – regionalism. In this podcast Owen Bennett Jones discusses The Globalisation Myth: Why Regions Matter (Yale University Press, 2022) with its author, Shannon K. O Neil. Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist reveals the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning.Ozu: A Closer Look (Hong Kong UP, 2022) guides the reader through Ozu’s earliest silent films, his sound films made during the wartime period and subsequent American Occupation of Japan, and finally takes up specific themes relevant to his later, better-known films. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director’s films and new challenges in studies on Ozu.Kathe Geist is an art historian and author of The Cinema of Wim Wenders.Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Why some of Asia’s authoritarian regimes have democratized as they have grown richer—and why others haven’t Over the past century, Asia has been transformed by rapid economic growth, industrialization, and urbanization—a spectacular record of development that has turned one of the world’s poorest regions into one of its richest. Yet Asia’s record of democratization has been much more uneven, despite the global correlation between development and democracy. Why have some Asian countries become more democratic as they have grown richer, while others—most notably China—haven’t? In From Development to Democracy: The Transformations of Modern Asia (Princeton University Press, 2022),' Dan Slater and Joseph Wong offer a sweeping and original answer to this crucial question. Slater and Wong demonstrate that Asia defies the conventional expectation that authoritarian regimes concede democratization only as a last resort, during times of weakness. Instead, Asian dictators have pursued democratic reforms as a proactive strategy to revitalize their power from a position of strength. Of central importance is whether authoritarians are confident of victory and stability. In Japan, South Korea, and Taiwan these factors fostered democracy through strength, while democratic experiments in Indonesia, Thailand, and Myanmar were less successful and more reversible. At the same time, resistance to democratic reforms has proven intractable in Singapore, Malaysia, Hong Kong, China, Vietnam, and Cambodia. Reconsidering China’s 1989 crackdown, Slater and Wong argue that it was the action of a regime too weak to concede, not too strong to fail, and they explain why China can allow democracy without inviting instability. The result is a comprehensive regional history that offers important new insights about when and how democratic transitions happen—and what the future of Asia might be.Javier Mejia is an economist teaching at Stanford University, whose work focuses on the intersection between social networks and economic history. His interests extend to topics on entrepreneurship and political economy with a geographical specialty in Latin America and the Middle East. He received a Ph.D. in Economics from Los Andes University. He has been a Postdoctoral Associate and Lecturer at New York University--Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is a regular contributor to different news outlets. Currently, he is Forbes Magazine op-ed columnist. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Chasing Wrongs and Rights: My Experience Defending Human Rights Around the World (Simon & Schuster, 2022) by Elaine Pearson, the Asia Director at Human Rights Watch, is an intimate account of her journey fighting for human rights across the world. Part personal journey, part insider’s peek into the work of international human rights organizations, Chasing Wrongs and Rights is also a primer on advocacy with governments, an indictment of Australia’s human rights record and foreign policy, a career guide for people who want to work in human rights, and a reflection about what it takes for human rights change to happen. Above all the book comes out as a tribute to the activists and victims that she met, worked with, and fought for over the years in Thailand, Indonesia, Cambodia, Nepal, Sri Lanka, Papua New Guinea, Australia, and many other places. In this interview, Elaine talks about the work that Human Rights Watch does, her family history in China, her early career in anti-trafficking, her run-ins with abusive or complacent governments, and why fighting for accountability always makes a difference.Nicholas Bequelin is a human rights professional with a PhD in history and a scholarly bent. He has worked about 20 years for Human Rights Watch and Amnesty International, most recently as Regional director for Asia. He’s currently a Visiting Scholar and Lecturer at Yale Law School. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Ying-chen Peng’s Artful Subversion: Empress Dowager Cixi’s Image Making is a beautiful new volume on late Qing imperial art practice from Yale University Press (forthcoming in 2023). Peng’s book, rigorously researched and richly illustrated, presents a revisionist biography of the Empress Dowager through an analysis of her patronage and participation in making art. Each chapter follows Cixi’s her “artfully subversive” command of various media forms, from photography and portraiture, to architecture, porcelain, painting, and calligraphy. Considering Cixi as a patron and artist in her own right, Peng frames the regent as a canny political and aesthetic strategist who worked within and against conventions that circumscribed female power to craft an assertive role as the face of the Great Qing Empire at a moment of immense historical changes. Join us for a fascinating discussion of the artistic universe crafted by Cixi.Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In 1934, tens of thousands of Communist guerillas fled Jiangxi, in an extended retreat through hazardous terrain to Shaanxi in the north, while under fire from their Nationalist enemies. The Long March, as it became to be known, helped build the legend of the Chinese Communist Party, and of its leader Mao.While on the Long March, Mao had a daughter, who was left behind to live with a local family due to the trek’s dangersThat event inspired Michael X. Wang’s debut novel Lost in the Long March (Overlook Press, 2022), about one couple who faced a similar decision–whether to leave their child behind–and that decision’s repercussions decades later.In this interview, Michael and I talk about the Long March, what makes it a great setting for a novel, and how its story aligns with many other family stories from modern China.Michael X. Wang was born in Fenyang, a small coal-mining city in China’s mountainous Shanxi province. His short story collection, Further News of Defeat (Autumn House Press: 2020), won the 2021 PEN/Robert W. Bingham Prize for Debut Short Story Collection and was a finalist for the 2021 CLMP Firecracker Award for Fiction. Michael’s work has appeared in the New England Review, Greensboro Review, Day One, and Juked, among others. He is currently an assistant professor of English and creative writing at Arkansas Tech University and lives in Russellville, Arkansas. He can be followed on Twitter at @MichaelXWang3.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Lost in the Long March. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies