New Books in Chinese Studies

The drums beat, an old man in a grand robe mutters incantation and three brides on horseback led by their grooms on foot proceed to the Naxi Wedding Courtyard, accompanied, watched and photographed the whole way by tourists, who have bought tickets for the privilege. The traditional wedding ceremonies are performed for the ethnic tourism industry in Lijiang, a World Heritage town in southwest China. Heritage and Romantic Consumption in China (Amsterdam UP, 2018) examines how heritage interacts with social-cultural changes and how individuals perform and negotiate their identities through daily practices that include tourism, on the one hand, and the performance of ethnicity on the other. The wedding performances in Lijiang not only serve as a heritage 'product' but show how the heritage and tourism industry helps to shape people's values, dreams and expectations. This book also explores the rise of 'romantic consumerism' in contemporary China. Chinese dissatisfaction with the urban mundane leads to romanticized interests in practices and people deemed to be natural, ethnic, spiritual and aesthetic, and a search for tradition and authenticity. But what, exactly, are tradition and authenticity, and what happens to them when they are turned into performance?Yujie Zhu is a Lecturer at the School of Archaeology and Anthropology, Australian National University. He is the co-editor of Politics of Scale and Sustainable Tourism Management at World Heritage Sites.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

What happens to everyday-life in a city when it becomes subsumed into an empire? Who becomes responsible for the everyday building and management of the new imperial enclave? How do local residents and colonial settlers manage to live side-by-side in new imperial arrangements?In Constructing Empire: The Japanese in Changchun, 1905-45 (University of British Columbia Press 2019), Bill Sewell examines how Chinese, Japanese, Korean, Russian, and other civilians in northeast Asia sought to inscribe Manchuria as theirs, and how Japanese imperial architects and civilians in Changchun engaged in diverse empire-building efforts that transformed the city into a modern urban capital for the puppet state of Manchukuo. Sewell argues that "Constructing empire was a mundane and popularly imagined affair as well as a diplomatic, political, and military one." Although studies on empire tend to focus on elite decisions or actions, Sewell contends that "popular dimensions must also be considered to grasp fully empire's nature."Constructing Empire also reminds us that Changchun, a city in northeast China and today's Jilin province, was a regional trade hub in Qing Inner Asia before the arrival of foreign empire builders. Although the land on which the city was built originally belonged to the Mongolian Front Gorlos Banner, Changchun's first cityscape was constructed by its Chinese settlers in the Qing. After the Russo-Japanese War, Changchun became a boundary between the Russian and Japanese spheres of influence in northeast China and a transfer point for travel between Europe and Asia.Although the Japanese presence in Manchuria was initially under military authority following the Russo-Japanese War, Sewell observes that the presence of Japanese civilians became increasingly strong after the South Manchuria Railway Company (Mantetsu) established transportation infrastructures, coal mines, power-generation facilities, factories, experimental farms, and railway-zone towns.Under Japanese occupation, Changchun was renamed Xinjing (J: Shinkyō) and became the capital of the puppet state of Manchukuo. Sewell shows that constructing empire in Xinjing occurred in diverse contexts and was motivated by colonial imaginaries that allowed Japanese civilians to perceive the urban city and its spaces as places of work, worship, recreation, and residence. Residents of Xinjing were also segregated between the Chinese, Koreans, and the Japanese, with access to spaces and resources in the city unequally distributed. Sewell points out that behind the façades of Pan-Asianism, the Japanese recreated in Xinjing much of the lifestyle that characterized life back home, demonstrating that "there was a closer allegiance to Japanese customs and society than to anything broadly Pan-Asia."Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational and transregional Buddhist networks connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In The Chinese Revolution on the Tibetan Frontier (Cornell University Press, 2020) Benno Weiner provides an in-depth study of what happened when the Chinese Revolution came to Amdo, a Tibetan region in the Sino-Tibetan borderland. Focusing primarily on the 1950s, Weiner demonstrates that the Chinese Communist Party wasn't just trying to build a state during this period — it was trying to build a nation. Under the banner of the “United Front” the CCP attempted to gradually, voluntarily, and organically bring Amdo into the modern, Socialist, and multi-ethnic nation. In this meticulously researched book Weiner examines why and how this failed, and the violent and painful consequences of that failure.The Chinese Revolution on the Tibetan Frontier is an important read for those interested in the history of Amdo, the Sino-Tibetan borderland, and modern Chinese history more broadly. It is also crucial and timely reading for anyone looking to understand contemporary China, and in particular why the CCP continues to struggle to persuade Tibetans (and those in other ethnic minority regions) of their membership in the modern Chinese nation today. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Ian M. Miller’s book Fir and Empire: The Transformation of Forests in Early Modern China (University of Washington Press, 2020) offers a transformation of our understanding of China’s early modern environmental history. Using a wide range of archival materials, including tax, deed, and timber market records, Miller presents a picture of China’s forestry regime, something that, while not centralized—as in European states—was highly effective. Though China never adopted a forest bureau system, Miller shows how China managed, through fiscal policies alone, to engender a remarkably productive commerce in timber and other forest products. Revising the narrative of deforestation, this history of China’s distinct form of forest oversight is sure to be a must-read for anyone interested in the history of China, or environmental history more broadly.Though this is a sweeping book—beginning in China’s early empires and stretching through the Song, Yuan, and Ming to end in the nineteenth century—it is also filled with a number of much more local case studies. With chapters on forest deeds, fleet construction, and the logging of the last old-growth forests for palace construction, this book not only tells a story that will have wide impacts for the field, but manages to create an intimate look at what China’s forest management system looked like to those trying to operate and profit from it.Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Many of the millions of workers streaming in from rural China to jobs at urban factories soon find themselves in new kinds of poverty and oppression. Yet, their individual experiences are far more nuanced than popular narratives might suggest. Rural Origins, City Lives: Class and Place in Contemporary China (U Washington Press, 2016) probes long-held assumptions about migrant workers in China. Drawing on fieldwork in Nanjing, Roberta Zavoretti argues that many rural-born urban-dwellers are—contrary to state policy and media portrayals—diverse in their employment, lifestyle, and aspirations. Working and living in the cities, such workers change China’s urban landscape, becoming part of an increasingly diversified and stratified society. Zavoretti finds that—more than thirty years after the Open Door Reform—class formation, not residence status, is key to understanding inequality in contemporary China.Suvi Rautio is a part-time Course Lecturer at the Social & Cultural Anthropology discipline at University of Helsinki. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

What is the role of the intellectual? Is violence, not to mention radical change, necessary? Can there be a revolution without them? Realistic Revolution: Contesting Chinese History, Culture, and Politics after 1989 by Els van Dongen (Cambridge University Press, 2019) analyses a series of debates in the early 1990s between Chinese intellectuals as they discussed such questions. Grappling with China’s turbulent twentieth century, such intellectuals came to say goodbye to radicalism, and instead advocated for “realistic revolution” in the service of future modernization.Using journal articles, official newspapers, monographs, and edited volumes, as well as interviews conducted with the main scholars involved in the debates, this book unpacks these complex—often convoluted yet always fascinating—debates effortlessly. Shedding light on the transnational nature of these debates and tracing intellectual exchanges and the evolution of concepts and ideas borrowed from other thinkers, van Dongen has created an intimate look at intellectual thought in early 1990s China. This book should interest those seeking to learn more about Chinese intellectual thought and this moment in global intellectual history, as well as those seeking a model for thinking beyond Eurocentric definitions and interpretations of concepts like ‘conservatism,’ ‘radicalism,’ and ‘modernity.’Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The “diva” is a common trope when we talk about culture. We normally think of the diva as a Western construction: the opera singer, the Broadway actress, the movie star. A woman of outstanding talent, whose personality and ability are both larger-than-life.But the truth is throughout history, many cultures have featured spaces for strong female artists, whose talent allows them to break free of the gender roles that pervaded their societies. In Three Asian Divas: Women, Art and Culture in Shiraz, Delhi and Yangzhou (Abbreviated Press: 2020) David Chaffetz briefly explores how these “Asian divas” could be seen as some of the first recognizably “modern women''.In this interview, David and I talk about the three different cultures of Three Asian Divas: Shiraz, Delhi and Yangzhou. We discuss what it meant to be a diva in these historical contexts, and what they say about gender roles in these historic Asian societies.After studying Persian, Turkish and Arabic in college, David Chaffetz worked on the publication of the Encyclopedia Iranica and is also the author of A Journey through Afghanistan, a study of its varied people, social classes and religious sects. He has lived in Afghanistan, Iran and Turkey, and travelled extensively in Asia. After a forty-year break working in the technology industry, he returned to writing with “Three Asian Divas.”You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Much is known about the Qing sartorial regulations and how the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. But what happened on the stage? What did Qing performers wear, not only when they performed as characters in the Han past, but also when they appeared as subjects in the Manchu present? Reading dramatic works against Qing sartorial regulations, Staging Personhood: Costuming in Early Qing Drama (Columbia University Press, 2020) explores a two-sided question: how did the Ming-Qing transition influence costuming as theatrical practices and how, in turn, did costuming enable the production of different types of personhood in early Qing China?With readings of several early Qing theatrical works, from the canonical Peach Blossom Fan (Taohua shan) to the lesser-known A Ten-Thousand-Li Reunion (Wanli yuan), combined with visual and performance records and historical documents, Staging Personhood provides a new and interdisciplinary perspective on the cultural dynamics of early Qing China. Not only does this book turn an interdisciplinary lens to the entanglements between Chinese drama and nascent Manchu rule, it contains a plethora of fascinating moments from early Qing plays—from double-cross-dressers to fake queues—touching on issues of class, gender, ethnicity, and conceptions of time. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Rachel Silberstein’s book A Fashionable Century: Textile Artistry and Commerce in the Late Qing (University of Washington Press, 2020) reveals how Qing fashion was produced at the intersection of commerce and culture. Drawing on a wide array of visual and textual sources, from pattern books and gazetteers to embroidered jackets and a sample book of ribbons, Silberstein both challenges the myth of the absence of fashion in China — perpetuated in large part, as is shown in the book, by museum narratives and collection practices — and presents women as active consumers, participants, and producers in Qing fashion.A Fashionable Century is not only deft in its writing and visual analysis, but this well-written book is itself a beautiful object itself. Woven throughout the chapters are numerous paintings, photographs, prints, and objects, all of which bring the vibrant world of Qing fashion into vibrant (and well-trimmed) relief.Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Heroin first reached Gejiu, a Chinese city in southern Yunnan known as Tin Capital, in the 1980s. Widespread use of the drug, which for a short period became “easier to buy than vegetables,” coincided with radical changes in the local economy caused by the marketization of the mining industry. More than two decades later, both the heroin epidemic and the mining boom are often discussed as recent history. Middle-aged long-term heroin users, however, complain that they feel stuck in an earlier moment of the country’s rapid reforms, navigating a world that no longer resembles either the tightly knit Maoist work units of their childhood or the disorienting but opportunity-filled chaos of their early careers. Overcoming addiction in Gejiu has become inseparable from broader attempts to reimagine laboring lives in a rapidly shifting social world. Drawing on more than eighteen months of fieldwork, Nicholas Bartlett explores how individuals’ varying experiences of recovery highlight shared challenges of inhabiting China’s contested present. Recovering Histories: Life and Labor after Heroin in Reform-Era China (University of California Press, 2020) is an important intervention contributing to cultural and medical anthropology and to the field of China studies.Suvi Rautio is a part-time Course Lecturer at the Social & Cultural Anthropology discipline at University of Helsinki. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies