New Books in Chinese Studies

The Art of Political Control in China (Cambridge University Press, 2019) shows how China's authoritarian state ensures political control by non-violent mechanisms. Daniel C. Mattingly demonstrates how coercive control is achieved through informal means to achieve goals such as land redistribution, the enforcement of family planning policies, and the suppression of protest. He draws on a broad combination of empirical evidence - from qualitative case studies, experiments and national surveys, to challenge conventional understandings of political control. Surprisingly, Mattingly shows that it is strong civil societies which strengthens the state's coercive capacities, while those that lack strong civil societies have the greatest potential to act collectively and spontaneously to resist the state. The Art of Political Control in China was named one of Foreign Affairs Magazine as one of the best books in 2020. It is important reading for our times to understand how governments - and especially authoritarian governments - foster political compliance through coercive mechanisms.  Daniel Mattingly is Assistant Professor of Political Science at Yale University. His work focuses on the political economy of development and authoritarian politics with a focus on China. Some of his current research focuses on the military, revolutions, elite politics, and technological innovation in China, both in the present in past.Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

How do we make sense of the “durability and gigantic scale” of China’s economic expansion alongside the reports of “rising” and “explosive” corruption? How has China moved from an “impoverished communist regime to a capitalist superpower rivaling the United States” despite a crisis of corruption that its own leadership describes as “gave” and “shocking”? Dr. Yuen Yuen Ang’s her new book China’s Gilded Age: The Paradox of Economic Boom and Vast Corruption (Cambridge University Press, 2020) argues corruption comes in different forms and she “unbundles” different types of corruption to explain not only why China can boom but why political scientists need to “fundamentally revise our believes about the relationship between corruption and capitalism.” The book demystifies the Chinese paradox of growth with corruption by unbundling the four types of corruption and placing China in comparative-historical perspective. China is an outlier but not in the ways that most analysts assume. The closest parallel is the United States in the late 19th century, a gilded age characterized by both feverish growth and glaring inequality, conniving plutocrats and corrupt politicians. The book offers a four-part explanation for this paradox focused on the dominant type of corruption (access money which stimulates growth but generates distortions and risks), the relationship between the profit sharing model (where the rewards of leaders and bureaucrats are linked to economic performance) and access money, the role of capacity-building reforms in curtailing corruption involving theft and speed money, and the checking of predatory corruption by regional competition (spurring development and deal-making).Dr. Yuen Yuen Ang is an associate professor of Political Science at the University of Michigan. She works at the intersection of business, governance, and innovation to better understand how governments and organizations respond to deep uncertainty and complex, novel problems and which institutions are able to adapt. She considers China’s Gilded Age to be a sequel to her award-winning book, How China Escaped the Poverty Trap (Cornell University Press, 2016) and you can hear her conversation with my NBN colleague here. Dr. Ang translates her ideas to wider audiences in Foreign Affairs, Project Syndicate, and the South China Morning Post.Susan Liebell is an associate professor of political science at Saint Joseph’s University in Philadelphia. Why Diehard Originalists Aren’t Really Originalists recently appeared in the Washington Post’s Monkey Cage and “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” was published in the Journal of Politics (July 2020). Email her comments at sliebell@sju.edu or tweet to @SusanLiebell. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The study of religion in China has a long history across a number of interrelated disciplines. In recent years, scholars have been reassessing past scholarship and synthesizing it in new ways. The three-volume project “Concepts and Methods for the Study of Chinese Religions” is one of the most exciting of these endeavors and establishes productive groundwork for future research. It includes three books: Stefania Travagnin, André Laliberté, Concepts and Methods for the Study of Chinese Religions I: State of the Field and Disciplinary Approaches (De Gruyter, 2019); Stefania Travagnin, Gregory Scott, Concepts and Methods for the Study of Chinese Religions II: Intellectual History of Key Concepts (De Gruyter, 2020); and Stefania Travagnin, Paul R. Katz, Concepts and Methods for the Study of Chinese Religions III: Key Concepts in Practice (De Gruyter, 2019). The contributions evaluate the current state of scholarship, discusses a variety of analytical approaches and theories about methodology, epistemology, and the ontology of the field. The three books display an interdisciplinary approach and offer debates that transcend national traditions. It engages with a variety of methodologies for the study of East Asian religions and promotes dialogues with Western and Chinese voices. In my conversation with Stefania Travagnin, Professor at SOAS and co-editor of all 3 volumes, we discuss the catalyst for the project, co-editing and organizing of a large interdisciplinary effort, how one can define Chinese religions, representative disciplinary approaches and themes of previous scholarship, Chinese keywords and categories for studying religion, the importance of regional or local contexts, diaspora communities and global China, religious interaction and cross-tradition approaches, and future directions to advance the field of Chinese religions. Kristian Petersen is an Assistant Professor in the Department of Philosophy & Religious Studies at Old Dominion University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

There are currently eleven million Uyghurs living in China, but more than one million are being held in so-called reeducation camps. A cultural genocide is taking place under the guise of counterterrorism. In this profound and explosive book, Sean Roberts shows how China is using the US-led global war on terror to erase and replace Uyghur culture and persecute this ethnic minority in what has become the largest program of mass detention and surveillance in the world. In The War on the Uyghurs: China's Internal Campaign Against a Muslim Minority, Roberts contextualises these harms in the PRC's colonial legacy of the region. He demonstrates how the Chinese government was able to brand Uyghur dissent as a dangerous terrorist threat which had links with al-Qaeda. He argues that a nominal militant threat was a 'self-fulfilling prophecy'; the limited response to more than a decade of harsh repression and surveillance. This is the humanitarian catastrophe that the world needs to know about now. Beyond the destruction of Uyghur identity and culture, there are profound implications for the global community by this cultural genocide. Dr. Sean R. Roberts is an Associate Professor of the Practice of International Affairs; Director, International Development Studies Program at the Elliot School of International Affairs, George Washington University.He is is a cultural anthropologist with extensive applied experience in international development work. Roberts conducted ethnographic fieldwork among the Uyghur people of Central Asia and China during the 1990s, and has published extensively on this community in scholarly journals and collected volumes. In 1996 he produced a documentary film on the community entitled Waiting for Uighurstan. You can find him on twitter at @robertsreport  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

How does revolution literature help to engage Mongolia’s nomadic population with the utopia of a “new society” promised by the Mongolian People’s Revolution Party? In Politics and Literature in Mongolia 1921-1948 (Amsterdam University Press, 2020), Simon Wickhamsmith explores the relationship between literature and politics in the period between the 1921 socialist revolution and the first Writers’ Congress in 1948.He argues that the literature of this time “helped to frame the ideology of socialism and the practice of the revolution for those Mongolians who had little understanding of what it could offer them.” Through discussing the works of Mongolian writers such as D. Natsagdorg, S. Buyannemeh, Ts. Damdinsüren, and D. Namdag, who wrote on education, health care, religion, and labor, the book reveals how these writers represented the new Mongolia and the difficulties that accompanied with it.Wickhamsmith reminds us that although the period between 1921-1948 saw a sustained literary development in Mongolia assisted in part through the financial and moral sponsorship of the Soviet Union, many writers also suffered from censorship and even torture and death. Politics and Literature in Mongolia 1921-1948 is one of the first books of its kind to translate some of the works by these writers into English, including works of poetry, fiction, and drama. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

What were the stories of modern China-India relations in the age of empires? How did India and China engage with each other beyond pan-Asianist and anti-colonialist interactions?In Beyond Pan-Asianism: Connecting China and India, 1840s-1960s (Oxford UP, 2020), fifteen diverse scholars attempt to answer these questions through analyses on literature, religion, diplomacy, intelligence, political activism, nationalism, and more. Together, the chapters of the book argue for a need to understand China-India relations in the period between 1840s to 1960s beyond idealist perceptions of Asian unity. They question the use of fixed periodization and geographically constrained understandings of China-India interactions, at the same time reminding us of the complexities of political transitions and the various roles of mediators.This edited volume also actively engages with existing frameworks for understanding China-India relations, such as ‘Pan-Asianism’ and ‘China/India as method’ in different ways. Some contributors converge with these frameworks to show how thinkers from India and China tried to imagine alternatives to global imperialism and capitalism. Other contributors suggest that state-driven geopolitical designs and desires to overcome the nation-state system cannot be neatly demarcated.Prasenjit Duara, in the epilogue of the volume, points out that “India-China studies of the modern period have been largely confined either to the study of ancient civilizational exchanges or to contemporary realpolitik competitions.” He argues, “…what is not mentioned in these formulations is the extent to which these obscuring strategies are themselves an effect of postcolonial Asian societies participating in and even dominating the capitalist nation-state system for control of global resources.” Utilizing new and diverse archival materials in various languages, Beyond Pan-Asianism attempts to address these issues and highlights that modern China-India ties indeed went beyond, if not challenged, the capitalist nation-state system but also reinforced it. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The texts that are examined in this study move in and out of different languages or are multilingual in their origins. Texts and authors do not move randomly; rather, they follow routes shaped by the history of contact between different nations of the transpacific. As these texts move into and out of the Chinese language or become multilingual, they necessarily do not always remain Sinophone. The works of the authors discussed are refracted out of Chinese literature into American, Malaysian, and Japanese literatures and, in some cases, back into Chinese again. Following their paths through multiple languages makes visible the ways that these trajectories are informed by, are arrested by, and bend around historical and geopolitical barriers across the Pacific. To this end, examining the path that these texts from a transpacific perspective allows for the possibility of not only multilingual but multidirectional movement.The transpacific trajectories discussed in this book give rise to a number of different versions or interpretations of several texts. When put into conversation with one another, these texts often acquire new meaning as they move between different languages, countries, or time periods. In Rethinking the Modern Chinese Canon: Refractions Across the Transpacific (Cambria Press, 2020) author Clara Iwasaki reads four canonical Chinese writers in relation to their translations, interpellations, and interpretations in different languages, revealing them to be more worldly than previously supposed. Texts, writers, and characters appear in different languages, sometimes taking markedly different forms. Authors translate and translators become authors. When individual texts are read in the context of their language or country of origin, these valences of meaning become lost. It is in reading clusters of texts together that these hidden relationship to other writers, other languages, and other texts become visible. To this end, Iwasaki looks at four writers, Xiao Hong, Yu Dafu, Lao She, and Zhang Ailing, through what she calls refractive relations. Following transpacific circuits, these writers and texts move not simply from periphery to center, or from obscurity to canon, but back and forth between literary, linguistic, and national communities. Many literary encounters today have their origin in meetings of authors and texts decades earlier. Rather than focusing on a single text, this book focuses on the relationship between the different works and how these texts acquire meaning when read in relation to each other. This book is in the Cambria Sinophone World Series headed by Victor H. Mair (University of Pennsylvania). Clara Iwasaki is an assistant professor in the East Asian Studies Department at University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

An old farmer, trying to build a plane in his village. A young man that gambles everything on the roaring stock market. A community transformed by a magical fruit that evokes vivid memories. A Chinese woman unable to understand her American partner. People stuck in a train station, waiting for a train that never comes.These stories, among others, make up Land of Big Numbers (Mariner Books: 2021), the debut story collection by Te-Ping Chen. Chen’s fiction spans a wide array of styles and narratives, from vignettes that feel like they could have been plucked from the newspapers, through surreal allegories for Chinese society, to character examinations of cross-cultural relationships.In this interview, Te-Ping and I talk about the different stories in “Land of Big Numbers”, and her choice of styles, narratives and themes. We talk about how these stories are based on her time in China, as well as the differences between writing for fiction and writing for journalism.Te-Ping Chen is a fiction writer and journalist. She is a Wall Street Journal correspondent in Philadelphia who was previously based in Beijing and Hong Kong. Her fiction has been published in The New Yorker, Granta and Tin House. She can be followed on Twitter at @tepingchen.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Land of Big Numbers. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Journey to the West, and especially the character of Sun Wukong, the Monkey King, is beloved by readers across China, East Asia, and beyond. The story and its characters have been written and rewritten in books, comics, graphic novels, movies, television shows, and video games. In many ways, Journey to the West and Son Wukong have become archetypes: stories and characters that people refer to and recognise, without ever looking at the original source material.But for those interested in reading the original novel, we now have a new translation of Journey to the West (Penguin Classics: 2021) from Professor Julia Lovell. This new translation takes the original 1592 novel by Wu Cheng’en and presents its adventures, humor, satire and spiritual insights for a modern audience.In this interview, Julia and I talk about Journey to the West: its story, its characters, and its history, before and after the publication of the 1592 novel. We talk about what motivated this new translation. Finally, we end by discussing how Journey to the West and the Monkey King have had an impact on popular culture far beyond China, through Japan, Southeast Asia and the West.Julia Lovell is a Professor of Modern Chinese History and Literature at Birkbeck, University of London. Her research primarily focuses on the relationship between culture and modern Chinese nation-building, and on the wide-ranging impacts of modern China’s encounters with the world beyond its borders. She is the author of several well-received histories of China, including The Opium War: Drugs, Dreams and the Making of China (Pan Macmillan: 2011), and Maoism: A Global History (Bodley Head: 2019). She has also translated several works of Chinese literature, including The Real Story of Ah-Q and Lust, Caution.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Monkey King. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies