New Books in Chinese Studies

At first glance, medicine and poison might seem to be opposites. But in China’s formative era of pharmacy (200–800 CE), poisons were strategically deployed as healing agents to cure everything from chills to pains to epidemics. Healing with Poisons: Potent Medicines in Medieval China (U Washington Press, 2021) explores the ways physicians, religious devotees, court officials, and laypeople used powerful substances to both treat intractable illnesses and enhance life. It illustrates how the Chinese concept of du—a word carrying a core meaning of “potency”—led practitioners to devise a variety of techniques to transform dangerous poisons into efficacious medicines.Recounting scandals and controversies involving poisons from the Era of Division to the early Tang period, Yan Liu considers how the concept of du was central to the ways people of medieval China perceived both their bodies and the body politic. Liu also examines a wide range of du-possessing minerals, plants, and animal products in classical Chinese pharmacy, including the highly poisonous herb aconite and the popular arsenic drug Five-Stone Powder. By recovering alternative modes of understanding wellness and the body’s interaction with potent medicines, this study cautions against arbitrary classifications and exemplifies the importance of paying attention to the technical, political, and cultural conditions in which substances become truly meaningful.Healing with Poisons is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of the University at Buffalo Libraries. Open access edition: DOI 10.6069/9780295749013.Yan Liu is assistant professor of history at the State University of New York at Buffalo.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

On the podcast today, I am joined by Minhua Ling, Assistant Professor in the Centre for China Studies at the Chinese University of Hong Kong to talk about her book, The Inconvenient Generation: Migrant youth coming of age on Shanghai’s edge, which was published in 2020 by Stanford University Press.After three decades of massive rural-to-urban migration in China, a burgeoning population of over 35 million second-generation migrants living in its cities poses a challenge to Chinese socialist modes of population management and urban governance. In The Inconvenient Generation: Migrant Youth Coming of Age on Shanghai's Edge (Stanford UP, 2019), Minhua Ling offers the first longitudinal study of these migrant youth as they come of age at a time of competing economic and social imperatives. Through richly textured ethnography probing into the policy-making behind urban governance and its segmented inclusion, Minhua Ling offers an earnest voice to the aspirations and experiences of second-generation young men and women migrants against the backdrop of a re-emergent global Shanghai.Minhua Ling’s book is an excellent companion for anyone interested in the politics of citizenship in late socialist China, and an ideal text for more general courses in the anthropology of China and urban studies. Beyond China, The Inconvenient Generation will interest anyone concerned about the inequalities of segmented inclusion that migrants face around the world.Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Erin Y. Huang’s Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility (Duke UP, 2020) is an expansive and ambitious book that explores the affective territory of “neoliberal post-socialist China” as it manifests in contemporary Chinese (language) cinema. Pushing beyond the geographic boundaries of the PRC and the confines of art cinema, Huang’s book reads the post-socialist condition as it manifests in Hong Kong, Taiwan, and across a variety of film genres. The term urban horror, derived from Engels’ writings on the industrial factory and theoretically developed in Huang’s book in conversation with Merleau-Ponty, Lefebvre, and Rancière, defines a “sociopolitical public affect that exceeds comprehension.” This affect, Huang argues, reappears in Chinese cinemas within and beyond the People’s Republic. In so doing, urban horror rehearses potential revolutionary dissent and resistance in the era of neoliberal post-socialism as it unfolds spaces beyond familiar post-socialist locales. As she works to address the changing grounds of China’s contemporary sociopolitical aesthetics, Huang considers the shifting meanings of the image as it travels between various genres and media materialities, including the intriguing “feminist blockbuster” and immersive cinema experiences. In the following interview, we discuss the questions that frame Huang’s inquiry and delve into the chapters that make up the body of her book. Readers and listeners should look forward not only to hearing about Huang’s elegant theoretical framing, but also to the compelling and lively close readings that showcase her argument across an exciting spectrum of Chinese media products.Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

One would think that comparing civilizations as far removed in time and space as Ancient Egypt and Ancient China might not reveal much. Yet Professor Tony Barbieri’s Ancient Egypt and Early China: State, Society, and Culture (University of Washington Press: 2021) gleans much from a deeply-researched comparison of political structures, diplomatic relations, legal systems, ideas of the afterlife, and other aspects.In other words, despite being separated by thousands of years and thousands of kilometers, the proto-empires of Egypt and China have a surprising amount of things in common.A lecture detailing Professor Barbieri’s book can be found on YouTube here.In this interview, Professor Barbieri and I talk about the various similarities and differences between these two ancient civilizations, and what we can learn from engaging in such a comparative study.Anthony J. Barbieri-Low is professor of history at the University of California Santa Barbara. His book Artisans in Early Imperial China won top prizes from the Association for Asian Studies, American Historical Association, College Art Association, and International Convention of Asia Scholars. He can be followed on Twitter at @ABarbieriLowYou can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Egypt and Early China. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Howard chats with Dang Qun, one of the three founding partners of Beijing-based MAD architects, about aesthetics, history, cultural distinctiveness and architecture's unique balance of the concrete and ethereal. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Examining the Green Party Taiwan (GPT) since its establishment through the aftermath of the most recent national elections in January 2020, Dafydd Fell’s Taiwan’s Green Parties: Alternative Politics in Taiwan (Routledge, 2021) focuses on Taiwan’s most important movement party over the last two and a half decades. Despite its limited electoral impact, its leaders have played a critical role in a range of social movements, including anti-nuclear and LGBT rights campaigns. Plotting the party’s evolution in electoral politics as well as its engagement with the global green movement, this volume analyses key patterns of party change in electoral campaign appeals, organisation and its human face. The second half of the volume concentrates on explaining both the party’s electoral impact and why the party has adjusted ideologically and organisationally over time. Based on a wide range of material collected, including focus groups, interviews and political communication data, the research relies heavily on analysis of campaign material and the voices of party activists and also considers other Green Parties, such as the splinter Trees Party and GPT-Social Democratic Alliance. Applying a wide range of theoretical frameworks to plot and explain small party development, this book will appeal both to students and scholars of Taiwan’s politics and civil society but also to readers with an interest in small parties and particularly environmental parties and movements.Dafydd Fell is Reader in Comparative Politics with special reference to Taiwan at SOAS University of London. He is also the Director of the SOAS Centre of Taiwan Studies.Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in inter-Asian and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Liang Luo's book The Global White Snake (U Michigan Press, 2021) examines the Chinese White Snake legends and their extensive, multidirectional travels within Asia and across the globe. Such travels across linguistic and cultural boundaries have generated distinctive traditions as the White Snake has been reinvented in the Chinese, Japanese, Korean, and English-speaking worlds, among others. Moreover, the inter-Asian voyages and global circulations of the White Snake legends have enabled them to become repositories of diverse and complex meanings for a great number of people, serving as reservoirs for polyphonic expressions ranging from the attempts to consolidate authoritarian power to the celebrations of minority rights and activism.The Global White Snake uncovers how the White Snake legend often acts as an unsettling narrative of radical tolerance for hybrid sexualities, loving across traditional boundaries, subverting authority, and valuing the strange and the uncanny. A timely mediation and reflection on our contemporary moment of continued struggle for minority rights and social justice, The Global White Snake revives the radical anti-authoritarian spirit slithering under the tales of monsters and demons, love and lust, and reminds us of the power of the fantastic and the fabulous in inspiring and empowering personal and social transformations.Huiying Chen is a Ph.D. candidate at University of Illinois at Chicago. She studies the history of travel in eighteenth-century China. She can be reached at hchen87 AT uic.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Language Ungoverned: Indonesia's Chinese Print Entrepreneurs, 1911–1949 (Cornell UP, 2021) explores a fascinating archive of Sino-Malay texts – writings produced by the Chinese community in the Malay language – in Indonesia. It demonstrates the myriad ways in which the ethnic Chinese in Indonesia resorted to the press for their education, legal and medical advice, conflict resolution, and entertainment. Deftly depicting the linguistic choices made by these print entrepreneurs, Tom G. Hoogervorst paints a rich portrait of the social life of this community as well as the articulation of their aspirations, anxieties and concerns that were expressed in creative use of multiple languages. This vernacular press brought Chinese-inflected Malay to the fore as the language of popular culture and everyday life, subverting the official Malay of the Dutch authorities. Through his readings of Sino-Malay print culture published between the 1910s and 1940s, Hoogervorst highlights the inherent value of this vernacular Malay as a language of the people.In this episode, we discuss the joys of reading for its own sake, distinctions between vernacular and standardized Malay, migrant experiences in language use and the importance of asking good questions when tackling corpuses of texts in the digital humanities. Tom G. Hoogervorst is a researcher at the Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV). He is a historical linguist whose interests center on the Indian Ocean World and the author of Southeast Asia in the Ancient Indian Ocean World. Faizah Zakaria is assistant professor of history at Nanyang Technological University in Singapore. You can find her website at www.faizahzak.com or reach her on Twitter @laurelinarien. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

'I broke a law simply by being born.' In the late 1980s, Shen Yang was born during the fiercest years of China's One-Child Policy. As the second daughter of the family, she was a massive liability - an excess child, a product of illegal birth. From being raised by her grandparents in a remote village as soon as she was born, to being whisked away to her aunt's home in a distant faraway city, Shen Yang's existence was doomed to be shrouded in the utmost secrecy and silence. Armed with a false identity and ID card, she experienced years of neglect and humiliation from her aunt's volatile family who saw her as yet another burden to bear. On top of it all, it seemed her own biological parents had come to forget about her. In More Than One Child: Memoirs of an Illegal Daughter (Balestier Press, 2021), by turns witty and inspiring, Shen Yang bravely provides a vivid account of the family planning era in China, as she jots down her journey towards overcoming the limits of her upbringing and forging her own identity amidst the sorrows of her childhood. More than One Child is not only Shen Yang's story; it is the untold story of the enormous, yet invisible community of excess-birth children. And this book is Shen Yang's way of saying goodbye to her childhood, and goodbye to an era. 'This is the voice of China's Invisible Generation - vividly written, well balanced, brilliant, humorous and very sharp - it elicits a rollercoaster of emotions that breaks through the silence shrouding the lives of excess children born during the One-Child Policy.' --Xinran (Author of The Good Women of China, and The Promise: Love and Loss in Modern China) "The One-Child-per-Family policy was a tragedy forced upon China's mothers, children and their families. Finally, in this book, Shen Yang has dared to tell the truth, speaking out bravely about the experiences she lived through." --Ma Jian (Author of The Dark Road) "Now that the one-child policy has been relaxed, the stories of these illegal children will soon be a part of China's national collective memory. But to those who grew up tainted with this humiliation, the scars are permanent. One is Chinese writer Shen Yang, who wrote her story in part to extinguish the nightmares that still haunt her."  John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 (Cornell UP, 2020) focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit. Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history.Austin Dean is Assistant Professor of History at the University of Nevada, Las Vegas. His work has appeared in Modern China and the Journal of American-East Asian Relations. He is on twitter @thelicentiate.Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies