Julie Cumming
Musicologist and professor specializing in medieval and Renaissance music, describing the impact of music printing (e.g., Petrucci) on musical publics and repertoire.
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Apr 7, 2015 • 0sec
The Origins of the Modern Public Part Four
Julie Cumming, musicologist exploring how Petrucci’s music printing widened musical publics. Patricia Fumerton, English scholar tracking broadside ballads in popular circulation. Bronwyn Wilson, art historian on prints and maps reshaping Venetian identity. Richard Helgerson, literary historian on print and vernacular Bibles forming new publics. They discuss printing’s role in creating shared repertoires, circulating images, maps and ballads.
