You'll Hear It Should You Worry about the Jazz Police? - #2
Feb 1, 2018
They tackle whether to fear rigid critics and dismiss policing of style. They define what those critics represent and argue for authentic playing over approval-seeking. They stress intent and craft versus aimless playing. They discuss communicating musical intent, making jazz accessible, and developing technique to find a personal voice.
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Jazz Police Limits Creativity
- The Jazz Police is a metaphor for people who insist jazz must be played one specific way and reject variation.
- Peter Martin and Adam Maness argue that this mindset contradicts jazz’s creative, boundless nature and stifles music-making.
Play Your Voice Not To Appease Critics
- Don't design your playing to appease unseen critics; study opinions but choose what feels right for you.
- Adam Maness says audience connection comes from authenticity, so prioritize your voice over trying to be 'hip.'
Intent Makes Unconventional Choices Work
- Intent distinguishes free choices from careless playing; randomness can work if purposeful and communicated.
- Adam Maness notes you must know the opposite (the rules) so your intentional departures land with the audience.