London Writers' Salon

#184: How to Write Short Stories with Sarah Hall, Jonathan Escoffery & Niamh Mulvey — Building Worlds in Small Spaces, Research That Sparks Story, Writing Endings That Feel Inevitable (Compilation)

Mar 8, 2026
Sarah Hall, award-winning British fiction writer known for prize‑winning short stories; Niamh Mulvey, Irish short fiction writer probing contemporary relationships. They explore building whole worlds in small scenes. They discuss beginnings that don’t show off, planting a “third element” to unlock endings, telescoping drafts into past and future, and grounding stories in real human stakes.
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ANECDOTE

The Grotesques Example Of Sliding Into Uncertainty

  • Sarah Hall describes 'The Grotesques' as an episode where a woman's encounter with a vandalised homeless man slides into uncertain reality.
  • The story culminates in a blurred ending where the protagonist's existence and agency feel ambiguous.
INSIGHT

Pair Researched Worlds With Lived Emotional Truth

  • Pair imaginative settings with intense lived emotional experience to make unfamiliar worlds resonate.
  • Jonathan Escoffery researches history and location while squeezing personal heartbreak into characters to create emotional veracity.
ADVICE

Choose Linked Stories To Preserve Propulsive Energy

  • Choose linked stories when threads can echo without needing to tie up every thread like a novel would.
  • Escoffery says story collections can preserve a propulsive energy that invites pause and reflection between pieces.
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