
Stars, Cells, and God Cave Art and God’s Image
27 snips
Apr 1, 2026 David Block, astronomer turned leader of Reasons to Believe Africa, brings his fascination with San rock art to the table. They explore why ancient people invested huge effort in hidden paintings. Short takes on pigments, shamanistic versus hunting interpretations, the role of acoustics, and art as a mark of human symbolic mind and longing for meaning.
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Artists Risked Mountaineering To Preserve Paintings
- Many rock paintings sit in extremely inaccessible, high cave chambers requiring ropes and mountaineering.
- David Block recounts visiting Drakensberg sites and stresses artists climbed with pigment palettes to preserve images from weather.
Literal Hunting Scenes Versus Shamanistic Interpretations
- Two major interpretive frameworks persist: literal hunting-scenes versus shamanistic trance imagery.
- David Block favors George Stow's literal readings (e.g., men disguised as ostriches) while acknowledging the shamanism debate.
Shamanic Readings Suggest Sacred Purpose
- Shamanistic readings imply religious significance and a blurred physical/spiritual boundary.
- Fazale Rana cites David Lewis-Williams' view of cave walls as a veil and therianthropes as evidence of spirit-world interaction.



