Stephen Lee Naish, "Screen Captures: Film in the Age of Emergency" (Lever Press, 2026)

Mar 10, 2026

Stephen Lee Naish, writer and cultural critic who studies film, politics, music, and pop culture. He traces how blockbusters, indie horror, and teen comedies mirror political and climate anxieties. He probes Star Wars fandom vs studio power, masculinity in films from Point Break to American Pie, and how VHS and streaming reshape private viewing.

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ANECDOTE

From Camera Store Packer To Film Writer

Stephen recounts growing up in Leicester, working as a camera-store packer, then filming local bands with a $150 camcorder which taught him technical skills.
That hands-on experience led him back to study media, essay writing, and ultimately to writing books on film and culture.

INSIGHT

Neoliberalism Is The Underlying Emergency

Stephen Lee Naish links multiple contemporary crises—climate disasters, COVID-19, political instability—to a larger emergency: neoliberal capitalism.
He argues we can't address climate or health emergencies without confronting profit-driven systems that shape policy and vulnerability.

INSIGHT

Star Wars Accelerationism And Franchise Fragmentation

Naish calls Disney's Star Wars sequel era "accelerationism": rapid output with little coherent creative leadership produced fragmented films and toxic fandom backlash.
He links franchise churn, reactive filmmaking, and online cottage-industry speculation as mutually reinforcing forces.

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Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (Lever Press, 2026), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016), Deconstructing Dirty Dancing (2017), Riffs and Meaning (2018)

From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

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