
Kermode on Film More Like Eyes Wide Sh*t
Apr 7, 2026
Jack Howard, film commentator and frequent conversational co-presenter on Kermode on Film, joins a rewatch of Eyes Wide Shut. They debate the film’s dreamlike structure and the infamous masked‑party sequence. Conversation covers pacing, awkward comic moments, cultural myths about Kubrick, and why the movie frustrates as much as it fascinates.
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Mark Kermode's Childhood Kubrick Obsession
- Mark Kermode first saw Stanley Kubrick via a 2001 trailer before watching Silent Running at age ~10 and became obsessed with Kubrick after reading related books and novelisations.
- That early fascination led him to seek out Barry Lyndon, Full Metal Jacket, Dr. Strangelove and eventually build a long-running relationship with Kubrick's films.
Kermode's First Reaction To Eyes Wide Shut
- Mark saw Eyes Wide Shut on a trip to New York and initially thought it was an "absolute car crash" and labelled it Eyes Wide Shit after early disappointment.
- He didn't rewatch it for years until Jack suggested revisiting it, prompting this episode's re-evaluation.
Prestige Elevated Erotic Tropes But Lost Constraint
- Kubrick's prestige elevated erotic-thriller tropes into a high-art context, but Mark felt Eyes Wide Shut mostly resembles elevated straight-to-video erotic fare.
- The studio allowed Kubrick unlimited time, which may have encouraged overworking and loss of editorial constraint.









