So we had another idea for a movie canon.
After blinking our way through The Moment – the recent mockumentary about Charli XCX by director Aidan Zamiri – we got thinking about a certain kind of music film that exists between the margins of biopic and rockdoc. Not real, not exactly fake… and all the more incisive for it.
We came up with a handful of movies – some of them HIGHLY recommended! – which dramatise rather than document the artist’s status as a ‘star’: their negotiations with fame and celebrity, their discomfort with being the centre of attention, their feelings of being trapped inside the machine.
In our conversation about these films – including Pavements, The Nowhere Inn, Spice World, A Hard Day’s Night and Slade in Flame – we think about the irreversible vibe shift that marks 21st century humour, and identify the influence of film and TV comedy, from the Goon Show to Charlie Brooker.
The canon is a slim one so far – at least compared to our adventures in Big Beat Cinema, the made-up movie niche coined by Finn and mapped out over two NT episodes and a list last year. But we’ve built a Rockufiction Letterboxd list nonetheless and are all ears for your suggestions. A reminder of the criteria: A film about a musician or band in which they play themselves, generally to comic effect. A blurring of reality and fiction. Not a biopic. Not a documentary.
This episode contains some spoilers but not too many. If you need to skip the Charli chat for any reason, it’s from 17:00–29:00.
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