In her new book, Jazz Italian Style: From its Origins in New Orleans to Fascist Italy and Sinatra (Cambridge University Press, 2017), Anna Harwell Celenza examines the arrival of jazz in Italy after World War I and the role of Mussolini in promoting jazz throughout Italy in the 1920s and 1930s. With the technology of the radio and gramophone, jazz became part of the local music culture and ethnic and national identities were not viewed across the new mediums. In Jazz Italian Style Celenza explores how Italians made jazz their own, creating a genre distinguishable from American varieties and influencing Italian-American musicians. Well researched and documented, Celenza’s work presents a narrative of jazz that is seldom heard and must be remembered. In addition, Celenza uses @JazzItalianStyl to promote Italian Jazz and share some of the music she recovers in her book.

Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

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