
The Big Picture The 2012 Movie Draft
Sep 29, 2020
Billy Ray, screenwriter-director (Shattered Glass, Captain Phillips) joins to discuss shaping The Comey Rule. Chris Ryan, longtime film writer and drafter, returns for the 2012 movie draft. They debate what counts as sequels, the rise of The Avengers, Annapurna’s mid-budget surge, horror and indie standouts, and why some political stories become TV miniseries.
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Repeated ArcLight Viewings Cemented The Master
- Sean recalls returning to The Master at the Arclight multiple times and experiencing it as a deeply moving centerpiece of 2012's cinema.
- He frames repeated viewings and theater nights as part of why 2012 felt like a special moviegoing year.
BAM Screening Of Amour Became A Relationship Memory
- Amanda describes seeing Michael Haneke's Amour at BAM early in her relationship and walking to a German bar afterward, where the film provoked existential reflection.
- She links that screening memory to the film's devastating emotional impact and its personal resonance.
Only Take Projects That Wake You Up Thinking
- Choose projects you wake up thinking about to do your best work.
- Billy Ray says he rejects offers lacking that subconscious compulsion, using it as his primary litmus test for taking on a project.










