AIPT Comics Priest and Joe Illidge on crafting new villain Entropy without any rules
Jun 26, 2022
01:42:52
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NEWS
- Tim Sale has passed away at 66
- Titan Comics gets Conan the Barbarian for May 2023
- Miracleman news including a new #0 anthology and the start of Gaiman and Buckingham wrapping up their unfinished story
- ‘Teenage Mutant Ninja Turtles: Saturday Morning Adventures’ revisits animated series storyline
- ‘Planet of the Apes’ omnibus to reprint 1975 series for the first time
- Image Comics solicitations
Our Top Books of the Week
Dave:
- The Silver Coin #11 (James Tynion IV, Michael Walsh, Adam Gorham)
- Immortal X-Men #3 (Kieron Gillen, Lucas Werneck)
Nathan:
- Home Sick Pilots #12 (Dan Watters, Caspar Wijngaard)
- Black Adam #1 (Christopher Priest, Rafa Sandoval)
Standout KAPOW moment of the week:
Nathan - The Amazing Spider-Man #4
Dave - Black Adam #1
TOP BOOKS FOR NEXT WEEK
- Dave: Iron Cat #1 (Jed MacKay, Pere Perez)
- Nathan: The Variants #1 (Gail Simone, Phil Noto)
JUDGING BY THE COVER JR.
- Dave: X-Force #29 (Miguel Mercado)
- Nathan: DC vs. Vampires: Killers #1 (Booth & Glapion variant)
Interview with Christopher Priest and Heavy Metal Executive Editor Joe Illidge about new Heavy Metal series ENTROPY (this year's event series), which debuts on July 6th with issue #1.
- Chris, what a week you’re having with the excellent debut of Black Adam #1 and with Entropy coming out in just a few short weeks. Thanks for being a guest on the AIPT comics podcast! To start, how did Entropy end up as a Heavy Metal series?
- Christopher and Joe, the two of you have been working together for a bit now. What is your collaborative process like?
- Press materials list Entropy as “Breaking Bad meets Green Lantern” can you explain those connections further?
- What was your relationships like with Heavy Metal growing up?
- You’ve explored the interior life of villains in Deathstroke, Black Adam, and now Entropy. What is it about the bad guys that draw your attention and make their stories worth telling for you?
- Two things were particularly striking from Montos’ work, the facial expressions, and the total annihilation of things, what are some of Montos’ strengths you write for?
- There’s a particular reference to a famous TV show in issue 1, is there a reason you picked that show and that line of dialogue?
- Do you have any other projects you’d like to talk about today?