
Start the Week Acoustics, music and architecture
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Dec 16, 2024 Fiona Smyth, an academic who authored "Pistols in St Paul's," discusses the historical development of acoustics in music venues. Trevor Cox, a Professor of Acoustic Engineering, reveals the latest breakthroughs in sound clarity and venue design. Jess Gillam, a talented saxophonist, shares her unique experiences playing in various acoustic settings. They explore how architectural design influences music enjoyment, the evolution of sound science, and the emotional effects of acoustics on performances, taking listeners on a melodic journey through sound and space.
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Saxophone in Oil Tank
- Cox played saxophone inside the oil tank, creating unique sound effects.
- The reverberations lasted so long he could play chords by playing arpeggios.
Echo vs. Reverberation
- Echo is distinct and separate, like hearing something twice.
- Reverberation is a sustained bloom or enhancement of sound, not a distinct repeat.
Buildings as Instruments
- 20th-century acoustics viewed buildings as instruments.
- Westminster Cathedral's construction marked the start of this interdisciplinary approach.


