
In Our Time Gerard Manley Hopkins
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Mar 21, 2019 Catherine Phillips, a R.J. Owens Fellow in English at Downing College, Jane Wright, a Senior Lecturer in English Literature, and Martin Dubois, an Assistant Professor of Nineteenth Century Literature, dive into the extraordinary life of Gerard Manley Hopkins. They discuss the tension between his vocation as a Jesuit priest and his poetic aspirations. The guests explore themes of faith, nature, and the innovative 'Sprung Rhythm' in his works like 'The Windhover.' They also reflect on his emotional depth, isolation, and the lasting impact of his unique style.
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Return to Poetry
- After converting, Hopkins burned his poems, dedicating himself to priesthood, and paused writing for seven years.
- He returned to poetry after a superior's comment on the Deutschland shipwreck, seeing poetry as honoring his vocation.
Celebrating Nature's Individuality
- Hopkins' nature poetry celebrates the uniqueness of creation, viewing individuality as a reflection of God.
- "Pied Beauty" exemplifies his dense style, praising God through vivid imagery of dappled and contrasting elements.
Inscape and Instress
- Hopkins coined "inscape" to describe the unique inner essence of things, revealed through observation and drawing, like rushing streams.
- "Instress" refers to the emotional force connecting a thing's parts, often linked to perceiving Christ in nature.







