
The Forum The Master and Margarita: Devilish satire
Jan 3, 2019
Olga Voronina, scholar of Russian literature and religion, and Julie Curtis, Bulgakov biographer and professor, discuss The Master and Margarita. They explore the novel’s satire of Soviet life, secretive writing and censorship, the supernatural disruption of atheism, the interwoven Jerusalem narrative, cultural influence from hippie fandom to rock music, and the novel’s contested spiritual themes.
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Devil Exposes Atheist Blindness With Fate
- Voland (the devil) exposes Soviet atheists' blindness by predicting Berlioz's death to prove supernatural reality and moral accountability.
- Olga describes Voland appearing as a charismatic foreigner who reveals Berlioz will be run over by a tram.
Magic Show Reveals Human Nature Unchanged
- Bulgakov uses Voland's magic show to reveal that Soviet 'new man' pretensions haven't eradicated greed, vanity and conformity.
- Julie Curtis points to the fake money rain and wardrobe temptations that leave audiences embarrassed and exposed.
Mass Song Turns Into Mass Hypnosis
- Bulgakov satirises Soviet mass culture by turning celebratory mass song into mass hypnosis and distress.
- Olga notes workers at the Entertainment Commission cannot stop singing, indicting forced conformism rather than unity.


