Standout Creatives: Business, marketing, and creativity tips for solopreneurs launching their ideas 26: Beyond the Book: Building a Writing Ecosystem with Andy Hodges
Treat Self-Publishing Like Running A Business
- If you self-publish, build a support network and learn marketing, covers, and tax—you're the publisher.
- Don’t expect traditional publishing's vetting; it trades control for infrastructure and guidance.
Bring Your Audience To Publishers
- Build your own audience before relying on a publisher; you still carry most of the sales burden.
- Use platforms to grow readers, but plan for sustained marketing from your side.
Own Your Audience With Newsletters
- Own an email list so you control contact with readers and avoid platform shutdown risks.
- Convert social followers into newsletter subscribers to maintain direct access.
What if the thing you thought was pulling you away from writing was actually preparing you for it?
Andy Hodges didn’t set out to follow a single creative lane. His path winds through anthropology, academia, fiction editing, and now novel writing, all held together by curiosity and a deep respect for story.
In this conversation, Andy and I talk about what it really means to balance structure and freedom in your creative work, why genre expectations matter more than many writers want to admit, and how building a sustainable creative life often requires letting go of the paths that once felt “safe.”
This episode is for writers who love the craft, feel pulled in multiple directions, and are trying to figure out how to make creativity fit into real life, not an idealized version of it.
Highlights
Creative freedom is intentional
Andy speaks candidly about choosing creative work because because it felt necessary. Writing fiction became a way to reclaim time and energy for the work that made him feel most alive.
“I just thought, well, you only live once. And I really, really want to spend some of the time that I have on this Earth doing this kind of creative work, like writing a novel, writing short stories, learning the craft of all of that.”
Genre tropes aren’t creative limits
Andy breaks down why understanding genre expectations isn’t selling out, it’s showing respect for your audience. Readers come to a book with emotional expectations, and ignoring that can break trust fast.
“There’s expected tropes when you’re writing for certain genres, especially, like you said, the mystery and the romance and people are expecting what they expect and that’s the reason they picked it and that’s reason that they like it.”
You can still surprise readers. Just don’t surprise them by giving them the wrong book.
There is no single “right” way to write
Andy pushes back hard on the idea that writers need to follow one approved process. His early fiction work was intuitive, unpolished, and deeply influenced by everyday life, and that wasn’t a weakness. It was the point.
“There’s no one right or wrong way of doing things. I think it’s important to lean into your intuition and do things in a way that just sits right with you.”
The goal isn’t to copy someone else’s system. It’s to build one that actually fits how your brain works.
Sustainability protects your creative work
Andy is clear that balancing editing, consulting, and writing wasn’t about diluting his passion. It was about protecting it. Financial stability gave his fiction room to grow instead of forcing it to perform.
“My route into that in a way that was sustainable for me was to strike a balance between doing this sort of academic editing and consulting work and the fiction stuff. The fiction stuff is the stuff I’m really passionate about.”
Originality comes from combination, not invention
Andy reminds us that no story exists in a vacuum. Every book is both familiar and new, shaped by what the writer loves, reads, and notices.
“Every new novel is not a completely novel invention. It’s very familiar in some way and it’s new in some way.”
Building an audience is about ownership, not platforms
After stepping away from social media, Andy refocused on what he could actually control. His takeaway is simple but powerful: your book doesn’t stand alone. It lives inside a bigger ecosystem.
“Your book is not just a book by itself, but it’s part of a wider platform that you cultivate.”
“Loads of people actually do make a decent living, not from the book by itself, but from the kind of ecosystem that they have linked to their book.”
Closing reflection
Andy’s journey is a reminder that creative careers are rarely neat or linear. They’re built through experimentation, financial recalibration, uncomfortable transitions, and a willingness to learn new skills without abandoning your core interests.
Whether you’re navigating publishing paths, trying to balance creativity with stability, or questioning how much structure you really need, I’m here to help you on your journey.
Sign up for a free consultation to see how we can build a better path creative path forward together.