In this essay, David Christopher explores and unpacks the mutually anarchistic and apocalyptic propensities in the early films of David Cronenberg. Christopher positions Cronenberg's films as exemplary of an innovative new methodology of cinema analysis for films following Cronenberg's influence. For more on these topics, see Anarchist Studies 32.1.

Dr Christopher is a Lecturer in Popular Screen Cultures at the University of Leicester for the School of Arts, Media, and Communication.

David's most recent publications are:

Flexing Armageddon: Displacing Climate Change Anxiety through Soft Power Nationalist Interests in GuoFan’s The Wandering Earth, Brill - Youth and Globalization Journal: Cultural Production in Asia, Spring 2024. DOI - tba.

Horror and the Cube Films: An Unlikely Vehicle for the Negotiation of Nationalist-Cultural Ideologies, Mutual Images – On Politics of Visual Media, Issue 11 (2023-24): pp. 139-170. (Co-edited and with and Introduction by Dr. David Christopher and Dr. Marco Pellitteri, pp. 53- 59). https://www.mutualimages-journal.org/index.php/mi/issue/view/11/14.

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