William Shakespeare - Playwright to The King
Court Shows Were Sensory Spectacles
- Court performances in the Great Hall were densely sensory events with candles, heat, smoke and courtiers' dazzling dress competing with actors.
- The playing area was a narrow central strip with tiered benches and a royal dais.
Ambassadors Packed The Great Hall
- Ambassadors from Spain, France, Poland, Florence and Savoy crowded the Great Hall, sometimes to the point of discomfort.
- Orazio Bessino noted embassy guests were so packed they might have 'expired' without curiosity to watch the plays.
Royal Patent Boosted Reputation
- The King's Men were elevated from the Lord Chamberlain's Men to royal status within weeks of James's accession, boosting reputation more than immediate wealth.
- Shakespeare stood at a career inflection, fresh from Globe successes like Julius Caesar and Hamlet.


























On the 1st of Janurary, 1604, Hampton Court Palace hosted a performance by William Shakespeare's acting troupe, The King's Men. They were booked to perform for the new King of England, James VI of Scotland, and one of the plays that they chose was 'A Midsummer Night's Dream'.
What did it mean to be part of 'The King's Men'? How did Shakespeare's relationship with James VI and I shape his life and his plays?
In this episode, Curator Brett Dolman welcomes Dr Will Tosh to the Great Hall at Hampton Court, one of few surviving places where we can tread in Shakespeare's footsteps, to discuss the nature and impact of royal patronage on Jacobean theatre.
Read more about Shakespeare at Hampton Court Palace on our website.
Dive into the history of Shakespeare's 'Macbeth' and 'A Midsummer Night's Dream' with blogs from The Globe.
Buy Will Tosh's book 'Straight Acting: The Many Queer Lives of William Shakespeare' here.

