
The Religious Studies Project Challenging the Normative Stance of Aniconism in the Study of Judaism, Christianity, and Islam
In a co-edited volume, Figurations and Sensations of the Unseen in Judaism, Christianity, and Islam: Contested Desires, Birgit Meyer and Terje Stordalen bring together innovative perspectives on the prevalence of images in religious traditions often described as harboring aniconistic tendencies. Should we really see these traditions as “anti-image”? This episode charts some of the major moves taking place in the volume, especially the presumption of the normative stance of aniconism in the study of these traditions. What if we turn instead to the aesthetic regimes of the religious traditions in question by considering their shared habitus or the methods of “seeing”used by their members? Such a shift reveals the political nature of debates over images, and the power of iconoclasm. Referring to specific case studies from the volume, the conversation offers ideas about re-imagining and challenging the assumption by scholars that practitioners of religious traditions such as Islam, Judaism, or Christianity hold a contemptuous view of images. Perhaps an increased focus on aesthetic regimes rather than images can provide a superior way to analyze and select data for this area of religious studies.
