Seforimchatter Haman: A Biography (with Prof. Adam Silverstein)
Feb 22, 2026
Adam Silverstein, Max Schlesinger Chair of Islamic Studies and author of Haman: A Biography, explores Haman as a recurring cultural figure. He traces varied origins and identities, examines midrashic and classical expansions, contrasts Jewish and Islamic portrayals, and surveys Purim rituals and imagery tied to Haman. The conversation shows how Haman reflects communal fears and changing narratives.
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Esther Reads Like History Not Theology
- The Megillah reads more like history than other biblical books because it purposely omits overt divine language and includes specific names, dates, and titles.
- Adam Silverstein argues that this historical framing invites varied later interpretations that fill theological and cultural gaps in the story.
Haman Creates The Story's Drama
- Haman is the essential dramatic engine of Esther because without a villain there is no threat to resolve.
- Silverstein notes that even if Mordecai and Esther were removed the narrative lacks urgency absent Haman's plot.
Many Hammans From Midrashic Gaps
- Extensive midrashic layers make Haman one of the most elaborated biblical figures, leading to many divergent portraits across time.
- Silverstein highlights that Esther has more midrash than almost any other book, producing multiple 'Hammans'.
