The Movies That Made Me DEAD MAN'S WIRE director Gus Van Sant
Jan 27, 2026
Gus Van Sant, acclaimed filmmaker known for art-house and mainstream films like Elephant and Drugstore Cowboy. He talks about the origins and making of Dead Man's Wire, casting surprises including Cary Elwes, shooting fast in Kentucky, and how influences from Béla Tarr, Chantal Akerman, David Lean and Kubrick shaped his use of long takes, pacing and silence.
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Using Stillness To Alienate The Audience
- Gus linked slow cinema like Jeanne Dielman to his films Elephant, Gerry, and Last Days, using stillness to separate characters' private lives from impending events.
- He intentionally made dialogue scenes function as private moments not meant for audience comprehension.
Push Bold Choices If Backers Approve
- Gus advised embracing unconventional choices when studios accept them, recounting persuading HBO to allow no script, black-and-white, and long takes for Elephant.
- He recommended committing to the bold plan if the financiers support it.
From Wadi Rum To Death Valley
- Gus told a production story about planning to shoot Jerry in Jordan inspired by Lawrence of Arabia but canceling due to crew safety concerns and travel warnings.
- They instead returned to Death Valley after the Screen Actors Guild strike ended.
