
London Review Bookshop Podcast Sarah Howe & Sandeep Parmar: Foretokens
Apr 22, 2026
Sarah Howe, T. S. Eliot Prize–winning poet and editor, reflects on language, lineage and form. She reads pieces about her mother’s laundry, losing Cantonese and learning Mandarin. Conversations move between specular/palindrome poems, genetic motifs from Crick research, and the tension between lyric intimacy and epic histories. Playful, elegiac and formally inventive.
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Cherry Bibliomancy on Sidney
- Sarah recounts actually splattering cherry juice on her treasured copy of Philip Sidney's Defence of Poesy as a bibliomancy ritual.
- The act was inspired by poet Bhanu Kapil and intentionally blurred literal and metaphorical boundaries in the poem Four Tokens.
Bibliomancy As A Way To Fracture Narrative
- Howe uses bibliomancy with Philip Sidney to question poetry's purpose, treating random textual selection as a way to fracture narrative and seek prophecy.
- She contrasts Renaissance poetics' demand for 'profit' with her own search for poetry's usefulness amid personal uncertainty.
Epic Poetry Tied To Imperial Possession
- Howe connects the epic tradition to imperial power, noting HMS Calliope (the ship that saluted Hong Kong's possession) shares the muse's name and signals epic's link to empire.
- She invokes Possession Point in Hong Kong to explore how epic narratives encode dynastic and colonial inheritances.




