
The Thomistic Institute Goodness, Truth, Beauty: The World According to Dante – Prof. Joshua Hochschild
Feb 24, 2026
Joshua Hochschild, a scholar of medieval logic, metaphysics, and ethics, brings Dante’s Paradiso into focus. He explores Dante’s Neoplatonic and Thomistic cosmos. Listens hear about celestial spheres, virtues mapped to heavens, and how goodness, truth, beauty, and peace function as divine names.
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Cosmos as Participation in One Active Cause
- Dante's cosmos is structured by active causes that reflect a single perfectly active cause, God.
- Goodness, truth, and beauty are names for that first cause and for creaturely participations drawn toward knowledge, love, and peace.
Three Guides Mark a Spiritual Progression
- Dante's guides move from Virgil to Beatrice to Bernard, marking shifts from pagan reason to Christian faith and mystical love.
- Virgil provides philosophical explanation, Beatrice interprets with faith, and Bernard leads the final mystical approach to God.
Paradiso Uses Spheres As Pedagogical Refractions
- Paradiso resists sensory depiction because it depicts an intimate spiritual communion centered on God as a transcendent point.
- Dante uses the celestial spheres as pedagogical signs: varied refractions of one highest Empyrean reality.
