The Big Picture What It’s Really Like at an Awards Show. Plus: Cliff Booth Returns and the Best Super Bowl Trailers!
19 snips
Feb 10, 2026 
Chris Appelhans, an animation filmmaker and co-writer, and Maggie Kang, co-director and co-writer from the animation world, join to talk K-pop Demon Hunters. They discuss making a film for themselves, Korean cine influences, blending K-pop choreography with action, and building bold female relationships. They also react to Super Bowl trailers and share what awards-show nights feel like.
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Tone-Driven Teasers Win Interest
- The Cliff Booth teaser (Fincher script by Tarantino) used bleeps and 1970s exploitation cues to sell tone over plot.
- Sean values a teaser that preserves mystery while showcasing strong visual style.
Withhold Plot To Preserve Desire
- The Disclosure Day teaser deliberately withheld story while highlighting a big practical set piece.
- Amanda and Sean liked being teased but not spoiled, valuing intrigue over exposition.
DGA Celebrates Directors First
- The DGA centers directors and gives nominees extended stage time and speeches before winners are announced.
- That format creates a director-focused, less-televised intimacy unlike broadcast awards.
