Piers Gough co-founded his own architectural practice while he was still at college, at the age of only twenty-two. He made his name during the redevelopment of London’s Docklands, though you can also see his work in Liverpool (the golden “bling bling” building), in Nottingham, where he built a centre for Maggie’s cancer charity, and in Glasgow, where he designed the masterplan for the redevelopment of the Gorbals. He’s won numerous awards for his buildings, not least for his bright-green triangular public lavatory in London’s Westbourne Grove. And six of his buildings have been listed by English Heritage, protected for posterity. He’s been president of the Architectural Association, he’s a Royal Academician... which all sounds steady enough, but trying to sum up his style, the Architects Journal said: “One’s never certain whether one is in a town house, a country house, a castle, or a gigantic piece of sculpture.”
In conversation with Michael Berkeley, Piers Gough reflects on the challenges of designing for the modern city, and on the influence of the accident that broke his spine and which at one point made him doubtful that he would ever walk again. He shares, too, the surprise and fun of becoming a father in his sixties.
Music choices include William Walton’s “Belshazzar’s Feast”; Monteverdi’s haunting love duet “Pur ti miro”; Handel’s “Semele”; and Piers's favourite country-music track, “Truckstop Honeymoon”.
A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.