The Tap Love Tour Podcast Episode 137: Jason Samuels Smith - Reclassification
Jan 12, 2026
Iconic tap dancer and educator Jason Samuels Smith dives into a riveting discussion about the complexities of tap dance, identity, and hidden histories. He challenges conventional narratives surrounding Indigenous roots and the ‘Out of Africa’ theory, arguing for the rich contributions of Indigenous cultures to tap. He highlights the impact of reclassification on cultural memory and examines the intertwining of Black and Indigenous identities in American music and dance. This thought-provoking conversation reshapes understandings of cultural heritage and rhythm.
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Indigenous Roots Overlooked
- Jason Samuels Smith argues that many Black Americans are indigenous to the Americas rather than solely of African origin.
- He links reclassification and colonial violence to cultural erasure and shifted identity narratives.
Rhythm Isn't Owned By One Continent
- Jason challenges the idea that rhythm and syncopation are exclusively African innovations.
- He emphasizes uniquely American rhythms shaped by indigenous and local mixes in the Americas.
Americas Shaped Global Festivity
- Jason places New Orleans and Mardi Gras cultures as central, American-born formations that influenced global styles.
- He argues many Latin and Carnival traditions originated in the Americas and then spread outward.