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Michael Glover Smith, "Bob Dylan as Filmmaker: No Time to Think" (McNidder and Grace, 2026)

Feb 28, 2026
Michael Glover Smith, Chicago filmmaker, author, and teacher, explores Bob Dylan's little-known film work and its place in his artistry. He traces Dylan's authorship through films like Eat the Document, Renaldo and Clara, and Masked and Anonymous. Conversations cover Dylan's editing choices, cinematic influences, sound design, and how his film projects refract different eras of his career.
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INSIGHT

Dylan's Film Work Is Intentionally Scarce

  • Bob Dylan's filmmaking is understudied because he made very few films and controls their distribution, leaving much of his work unavailable.
  • Michael Glover Smith notes Dylan directed only two features, keeps their negatives, and blocks legal releases, producing only poor-quality bootlegs for viewers.
INSIGHT

Dylan's Voice Becomes His Editing Tool

  • Eat the Document repurposes concert footage through editing, showing Dylan's intuitive grasp of cinema as an editor rather than a traditional director.
  • Smith highlights a scene where Dylan says "are we ready to move on?" and cuts to a train, using speech to motivate montage.
ANECDOTE

The 'Are We Ready To Move On' Cut

  • Michael describes a specific Eat the Document moment where Dylan snorts heroin then laughs and says "are we ready to move on?" followed by a cut to a train.
  • The audible line becomes the literal motivation for an unexpected visual cut, revealing Dylan's editing instincts.
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