
New Books Network Eray Çayli, "Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan" (U Texas Press, 2025)
Feb 20, 2026
Eray Çayli, scholar of extractivism and visual culture in Northern Kurdistan, discusses his book Earthmoving. He traces how war, legal change, and rivers become sites of extraction. He explores artist-run spaces, camera reflexivity, and how visuality both conceals and contests displacement. Short, vivid scenes—hafriyat trucks, river repair rituals, and collaborative art practices—frame the region’s colonial present.
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From Summer School To Residency
- Eray Çayli recounts being invited to coordinate a 2018 summer school in Amed which led to deep engagement with local artists and architects.
- He lived and worked at the artist-run space Loading, opening it daily and becoming its inaugural researcher-in-residence during 2019.
Extractivism Coopts Humanitarian Sensibilities
- Çayli argues extractivism now operates through ecological and humanitarian sensibilities rather than despite them.
- He says cultural production and theatres of war shape how extraction-related violence is seen and valued.
Repair Framed As Aesthetic Quantification
- Çayli uses a 2018 DSI river embankment announcement in Amed to show how state repair is framed visually and quantitatively.
- He highlights that the same agencies that caused damage present repair as aesthetic cleanup measured in moved tons and kilometers.

