
Old School with Shilo Brooks Roald Dahl: Genius and Bigot
Separate Art From Artist
- Great art can be judged separately from the artist's moral failings because beauty and truth stand on their own.
- Eli Lake argues we should read geniuses like Voltaire or Socrates despite their prejudices, not erase them from the canon.
Gauguin's Crimes Versus Museum Displays
- Paul Gauguin exemplifies an artist whose colonial sexual abuse of underage Tahitian girls raises questions about whether to display his work.
- Lake cites Gauguin's statutory rape and colonial context as a reason some argue for removal from museums.
Preserve Works And Tell The Whole Truth
- Don't cancel great artists but also don't lie about them; tell the full truth of their flaws alongside their achievements.
- Lake's rule: preserve the work while teaching the artist's failings so students grapple honestly with both.
























For tickets to our live recording with Jon Meacham in Philadelphia, click here and register. Use code TFP for a 20 percent discount.
Roald Dahl gave the world Matilda, James and the Giant Peach, and Charlie and the Chocolate Factory. He was also a vicious antisemite.
A Broadway play about Dahl’s legacy; the new Michael Jackson biopic; Kanye West’s attempted redemption arc; all of these have the culture asking again: How do we approach brilliant art produced by morally compromised artists?
Throughout history, some of the world’s preeminent literary geniuses have also been deeply bigoted, even monstrous people. In this episode, Shilo is joined by Eli Lake, host of Breaking History, for a conversation about these geniuses, from Voltaire to Norman Mailer, and why we should read their work despite their odious prejudices.
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