Astonishing Legends The Patterson-Gimlin Film Part 5
May 20, 2019
01:58:22
Value of Original
- Scanning the original PGF at higher resolutions (8K) would reveal more detail than existing copies.
- Analyzing the grain detail on separate color emulsion layers could provide further insights.
Six Segments
- The PGF has six distinct segments, indicating the camera was started and stopped.
- These segments reveal unplanned filming, like the 'trigger slip' in segment three.
Rotational Blur
- The rotational blur in frame one of segment three suggests Roger Patterson lost his balance.
- This unplanned movement supports the authenticity of the film.
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Introduction
00:00 • 2min
Patterson Imblent Film - Part Five of Our Six Part Series on the Patterson Gimblan Film
02:00 • 2min
The Patterson Gimblin Film
04:27 • 4min
What Motive Affiliated You With the Patterson Film?
08:11 • 4min
Do You Have Any Bigfoot Researchers Who Really Build Costumes?
11:57 • 2min
When Roger Met Patty by William Muns
14:20 • 2min
How Do You Analyze the Patterson Film?
16:30 • 5min
Using Rev to Convert Audio and Video to Text
21:13 • 3min
Using Digital Scans to Scan Films
23:52 • 4min
What Happened to the Camera Original?
27:55 • 5min
Camera Original
32:27 • 2min
Do You Know if You Lost the Original Film?
34:45 • 4min
Is There Any Way to Do a Film Transfer?
39:12 • 2min
What's the Difference Between a Camera Start and a Stop?
41:25 • 6min
The Camera Man's Behaviour
47:18 • 2min
The Rotational Blur of the Camera Shutter
49:04 • 3min
Is It Possible to Go Back to School?
52:15 • 2min
How Did Roger Do the Patterson Film?
54:37 • 4min
Do You Think Roger Was Exploring Both?
58:27 • 2min
Do You Think He's a Hoax?
01:00:03 • 2min
The Pg F Is Authen Yes.
01:02:07 • 6min
I Think Bob Heronymus Probably Got Ina Ape Costume for Roger Filmdip?
01:07:44 • 6min
The Human Head in a Mask
01:13:14 • 5min
Progressive Presentance, Married to Your Ome
01:18:05 • 1min
What Do You Think About Stan Winston and Rick Baker?
01:19:28 • 2min
How to Analyze a Motion Picture on a Moviola
01:21:00 • 6min
Is Patty a Primata?
01:26:38 • 5min
Kotochrome Film Processing
01:31:41 • 5min
The Prosthetic Eye
01:36:40 • 2min
The Scepticism of the Patterson Gamblin Films
01:38:52 • 4min
Winning Is All That Matters
01:42:28 • 3min
Is Bigfoot Real?
01:45:38 • 5min
Bigfoot
01:50:10 • 2min
The Pero Fluidic Muscles in Guerrilla Costumes
01:51:58 • 2min
The Conclusion of a Filmmaker
01:53:55 • 3min
The Patterson Film
01:56:52 • 3min
Astonishing Legends - Part Five
02:00:05 • 2min
There are a few researchers for whom the Patterson-Gimlin Film has sparked a life-long quest to analyze its mystery and the possibility of Sasquatch. Concerning the preservation of the actual film itself, no one has done more to secure its integrity than William “Bill” Munns. While the original 16mm Kodachrome Color-Reversal film shot by Roger Patterson has since gone missing, Munns built a mobile High Definition digital film scanner and with exclusive permission from Patterson’s widow Patricia, has painstakingly scanned every frame of her first generation copy at 5K resolution, even discovering an additional two frames at the beginning, making the total count 954 frames in total. Bill Munns has spent most of his long career in filmmaking and creating special makeup effects, starting as a makeup artist with Universal Studios in 1969. He created full body suits for fictional creatures such as “Swamp Thing” and “The Beastmaster,” and so he brings to the PGF controversy well-established expertise in the fabrication of various creature costumes. Munns also has spent the last 22 years doing computer graphics, which positioned him well to do the image analysis of the PGF film frames. So he is uniquely well-qualified to analyze evidence consisting of 16mm film, and showing what many suspect is just a human in a fur creature costume. Tonight we sit down with Bill Munns for an interview in which he discusses his process, analysis and his conclusions which lead him to believe the film to be authentic.