
Word In Your Ear David Bowie and the triumph, mystery and struggle of his third act
Feb 3, 2026
Alexander Larman, author and critic who wrote 'Lazarus: The Second Coming Of David Bowie', unpacks Bowie’s late-career resurrection and mysterious final years. Conversation jumps from Tin Machine’s misunderstood reinvention to his collaborators like Eno and Visconti. They probe staged public moments, the 2004 heart attack’s impact and the gap between Bowie’s public persona and private life.
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Tin Machine's Noble Intent
- Tin Machine was Bowie's attempt to reclaim integrity after a perceived low point.
- The project had noble intentions even if reviews and public reception misread its ambitions.
Collaboration As Reinvention
- Bowie repeatedly sought collaborators to shake up his sound, revisiting past partners and experimenting with new ones.
- Collaborators like Eno and Visconti often reintroduced discipline or fresh direction.
A Single He Refused
- Larman recounts 'Lucy Can't Dance' as a strong track Bowie chose not to release as a single.
- Instead he led with 'Jump They Say', a darker personal song, baffling commercial expectations.


