
New Books in Critical Theory Eray Çayli, "Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan" (U Texas Press, 2025)
Feb 20, 2026
Eray Çaylı, scholar of extractivism, coloniality, and visual culture, discusses fieldwork in Northern Kurdistan and his book Earthmoving. He explores how extractivism operates alongside humanitarian visuals. He highlights art practices, river and heritage transformations, and collaborative, non-extractive research approaches. The conversation centers on visuality, wartime landscape change, and how artists respond to and reshape these harms.
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Residency At Loading Sparked The Project
- Eray Çaylı recounts coordinating a 2018 summer school in Amed that led him to embed at an artist-run space called Loading.
- He lived and worked there through 2019, opening the space daily and collaborating closely with local artists and architects.
Extractivism Co-opts Environmental Sentiment
- Çaylı argues extractivism now operates through environmental and humanitarian sensibilities rather than despite them.
- He links extractivism's persistence to its engagement with visual culture and war as sites that normalize and valorize extraction.
Earthmoving Links War, Repair, And Image
- Earthmoving (hafriyatçılık) ties together war, environmental repair, and visuality through shared machines and rhetoric.
- The same earth-moving trucks cleared war rubble and later featured in state-led 'river repair' campaigns that framed intervention visually and quantitatively.

