The Tonearm Maria Schneider: Composing in the Age of Curated Rage
Today, The Tonearm’s needle lands on composer and avid birdwatcher Maria Schneider.
Few composers working today have Maria Schneider's range. She holds seven Grammy Awards, was named an NEA Jazz Master, and this year took home the Rolf Schock Prize in Musical Arts, one of the most prestigious honors in the field.
Maria Schneider joins the podcast to talk about American Crow, her recent EP that uses jazz to make a case for something we've mostly lost, the ability to actually listen to each other. The music moves from distressed Americana into something quiet and more human, a sound Schneider connects to her Midwestern childhood, when disagreement didn't have to mean war.
Maria's here to talk about the record, what jazz improvisation has to teach a fractured society, and more.
(The musical excerpts heard in the interview are from Maria Schneider’s American Crow)
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Dig Deeper
Artist and EP
- Visit Maria Schneider at mariaschneider.com and follow her on Instagram, Facebook, and YouTube
- Purchase Maria Schneider’s American Crow EP from ArtistShare
- Watch American Crow: A Narrative in Notes and Frames — the full longform music video, free on YouTube
Selected Discography
- Data Lords (ArtistShare, 2020) — Pulitzer Prize Finalist; two Grammy Awards; the double album that precedes and informs American Crow
- Sky Blue (ArtistShare, 2007) — includes "Sky Blue," discussed at length in this episode
- Evanescence (Enja, 1994) — Schneider's debut; features "Wyrgly" and "Dance You Monster to My Soft Song," both favored by David Bowie
Ensemble Members and Collaborators
- Donny McCaslin — tenor saxophonist; featured throughout the conversation; also Bowie's Blackstar bandleader
- Donny McCaslin on The Tonearm
- Ben Monder — guitarist; featured soloist on Data Lords
- Mike Rodriguez — trumpeter; featured soloist on American Crow
- Jeff Miles — guitarist; featured on "A World Lost" on the American Crow EP
- Gary Versace — pianist; longtime Schneider Orchestra member; on faculty at Eastman School of Music
- Bob Brookmeyer (1929–2011) — valve trombonist and arranger; Schneider's mentor; his critique of "Green Piece" is discussed in this episode
- Frank Kimbrough (1956–2021) — pianist; longtime Schneider Orchestra member; referenced in the discussion of "Thompson Fields"
Books Referenced
- The Art Spirit by Robert Henri — the key artistic text Schneider returns to when discussing how music transmits lived experience to an audience
- Footprints: The Life and Work of Wayne Shorter by Michelle Mercer — Mercer reviewed a live performance of "American Crow" in Call and Response, quoted in this episode and in the press release
Birding
- Merlin Bird ID app — the free sound- and photo-identification app from the Cornell Lab of Ornithology, enthusiastically endorsed by both Schneider and Lawrence
- Cornell Lab of Ornithology — the institution behind Merlin and one of the world's leading centers for ornithological research and citizen science
The David Bowie Connection
- Blackstar (Columbia, 2016) — Bowie's final studio album, featuring McCaslin's band and Schneider's arrangement of "Sue (Or in a Season of Crime)," which won a Grammy
- Donny McCaslin on the Blackstar collaboration — background on McCaslin's role in Bowie's final project
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- Dig into this episode's complete show notes at podcast.thetonearm.com
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