Talking Frames 34 John Boaz Photographing People, Place, and Community
John Boaz is a portrait photographer whose work explores faith, community, culture, and place.
He has been recognized multiple times in the Portrait of Britain awards, and his work has been exhibited at respected venues such as the Saatchi Gallery in London. His editorial photography has appeared in major publications including The Telegraph Magazine, Financial Times, New Statesman, Le Monde, and Der Spiegel.
In this conversation with Tim Bingham, he discusses his journey into photography, his slow and deliberate working process, and the ethical responsibility he feels toward the people he photographs.
John’s early relationship with art began in childhood when his mother regularly took him to museums and galleries. There he developed a deep appreciation for classical painters such as Rembrandt and Vermeer, whose use of light and quiet human presence continues to influence his photographic style. While studying, he discovered the work of photographers including Alys Tomlinson, Laura Pannack, and Alex Soth. Encountering their work shifted his understanding of photography from simple image-making toward storytelling and visual communication.
Much of John’s work focuses on long-term observational and portrait projects. His ongoing series Rivers of Living Water documents Christian faith communities across Britain while Our Father explores monastic life. Another deeply personal project, Hope in New Beginnings, turns the camera toward his own parents. Across these bodies of work, John emphasizes patience and relationship-building, often spending long periods with people and communities before making photographs.
His portrait practice is grounded in trust and authenticity. John prefers to photograph people in their own environments using natural light. This approach reflects his belief that portrait photography should celebrate and honour the people being photographed.
Photographers mentioned
Song: Drip
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