Woo Woo with Rachel Dratch

Caroline Bicks: My Time with Stephen King

Apr 22, 2026
Caroline Bicks, Professor of Shakespeare and author of Monsters in the Archive, spent a sabbatical studying Stephen King’s manuscripts and even met him. She talks about diving into King’s drafts, the craft behind his sensory wordplay, links between his monsters and human grief, and her love of tarot and strange synchronicities.
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ANECDOTE

Finding Pet Sematary In The Manuscripts

  • On day one in the archives Caroline found the Pet Sematary draft and noticed King wrote the first draft in 1978 with sticky notes and handwritten copy-editor exchanges.
  • She discovered he defended precise words like 'clitter' for sound and ghostly effect, showing his meticulous craft.
INSIGHT

King's Prose Is Designed To Be Heard

  • King writes synesthetically, combining senses and oral cadence so prose feels full-bodied and spoken, not just visual.
  • Caroline links this to why his books work across ages: vivid, sensory language creates an embodied horror experience.
ANECDOTE

The Boogeyman's Origin Was Parental Fear

  • Caroline asked King about The Boogeyman and he said he wrote it while worried about crib death when his children were small.
  • That origin reframes the story's terror as parental grief and real-world anxiety rather than a mere monster tale.
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