
New Books Network 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)
Levi English's Comanche Years Drive The Novel
- Aaron Gwyn centers Cannibal Owl on Levi English's Comanche years to explore belonging and loss.
- The novel emphasizes sensory detail (trapping, dugout life, mother's death) to ground Levi's interiority and cultural displacement.
Do Embodied Research For Historical Realism
- Do deep, embodied research when writing historical fiction to gain sensory authority.
- Gwyn read ~200 books, learned bowmaking and firearms, and consulted Comanche friends to create credible texture.
Use Sensory Memory To Ground Fictional Worlds
- Build sensory memory to make fictional worlds feel ordinary and textured.
- Gwyn learned bowmaking, fired replica firearms, and cultivated sensory details so scenes read like lived experience.













































Aaron Gwyn is the author of four novels: The World Beneath, Wynn’s War, and, most recently, two wonderfully linked historical novels, All God’s Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism) and Novel Dialogue’s own John Plotz, we learn that Robert Lemmons is a real historical figure and so is Levi English.
One way to grasp Gwyn’s achievement is to consider the contrast between his durably realist work and Cormac McCarthy’s 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy’s characters strike them as monstrous and incredible. How about Charles Portis’s True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn’s ties to Quantrill’s Rangers, an eerily modern pro-Confederate terrorist paramilitary. In our signature question, we learn why Aaron’s favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here).
Mentioned in the episode:
- Richard Slotkin’s notion of “the man who knows Indians” comes from Gunfighter Nation
- Mark Twain, A Connecticut Yankee in King Arthur’s Court (1889)
- Herman Melville, Moby Dick
- William Faulkner Absalom Absalom
- Toni Morrison, Beloved
- Thomas Pynchon, Gravity’s Rainbow.
- John Williams, Stoner (but also Butcher’s Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth’s Chimera.
- Larry McMurtry’s hard-to-get-into Lonesome Dove
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
