
New Books Network Imagining Independence; or, Why Does Rip Van Winkle Sleep Through the Revolution?
Mar 20, 2026
Brenda Wineapple, literary biographer of Hawthorne; Wendy S. Walters, Columbia writing professor and poet; Michael Gorra, nineteenth-century literature scholar. They explore Washington Irving’s Rip Van Winkle, William Austin’s Peter Rugg, and Hawthorne’s Major Molineux. Short stories are read as imaginative responses to the Revolution. The panel probes myth, haunting pasts, civic awakening, and rites of belonging.
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Revolution Alters Politics Not People
- Rip Van Winkle shows the Revolution changed polity but not human nature.
- Michael Gorra notes Rip returns to the same village habits and family roles despite political transformation.
The Past Puts Americans Asleep
- Irving links Rip's temporal leap to encountering the colonial past in the Catskills.
- Gorra argues Rip is made drunk on origin myths (Henry Hudson, the Dutch) and so misses his own era's events.
Mountains Stage A Muted Ancestral Presence
- The Catskills scene mixes merriment with uncanny gravity to embody a mute past.
- Panelists describe the men's solemn play and thunderous ninepins as ghostly, explanatory yet silent.






