NATASHIA DEON READS FROM HER DEBUT NOVEL GRACE WITH DAVID ULIN

Grace (Counterpoint Press)

For a runaway slave in the 1840s south, life on the run can be just as dangerous as life under a sadistic Massa. That’s what fifteen-year-old Naomi learns after she escapes the brutal confines of life on an Alabama plantation. In Natashia Deón’s debut Grace: A Novel Naomi must leave behind her beloved Momma and sister Hazel and take refuge in a Georgia brothel run by a freewheeling, gun-toting Jewish madam named Cynthia. There, amidst a revolving door of gamblers, prostitutes, and drunks, Naomi falls into a star-crossed love affair with a smooth-talking white man named Jeremy who frequents the brothel’s dice tables too often.

The product of Naomi and Jeremy’s union is Josey, whose white skin and blonde hair mark her as different from the other slave children on the plantation. Having been taken in as an infant by a free slave named Charles, Josey has never known her mother, who was murdered at her birth. Josey soon becomes caught in the tide of history when news of the Emancipation Proclamation reaches the declining estate and a day of supposed freedom quickly turns into a day of unfathomable violence that will define Josey—and her lost mother—for years to come.

Deftly weaving together the stories of Josey and Naomi—who narrates the entire novel unable to leave her daughter alone in the land of the living—Grace is a sweeping, intergenerational saga featuring a group of outcast women during one of the most compelling eras in American history. 

It is a universal story of freedom, love, and motherhood, told in a dazzling and original voice set against a rich and transporting historical backdrop.

Praise for Grace

“Deón’s powerful debut is a moving, mystical family saga . . . The book provides penetrating insight into how confusing, violent, and treacherous life remained in the South after the Emancipation Proclamation, and how little life improved for freed slaves, even after the war. The omnipresences of Naomi’s ghost renders the story wide-angled, vast, and magical. Deón is a writer of great talent, using lyrical language and convincing, unobtrusive dialect to build portraits of each tragic individual as the sprawling story moves to its redemptive end.”—Publishers Weekly Starred Review

“[T]his is a brave story, necessary and poignant; it is a story that demands to be heard. This is the violent, terrifying world of the antebellum South, where African-American women were prey and their babies sold like livestock. This is the story of mothers and daughters—of violence, absence, love, and legacies. Deón's vivid imagery, deft characterization, and spellbinding language carry the reader through this suspenseful tale. A haunting, visceral novel that heralds the birth of a powerful new voice in American fiction.” —Kirkus Starred Review

 “In her gripping debut novel, Deón, awarded a PEN Center USA Emerging Voices Fellowship, among other honors, dramatizes alliances formed by women in a violent place and time with adroit characterizations, a powerful narrative voice, and the propulsive plotting of a suspense novel… Deón stays in control of her complex material, from its clever parallel structure to the women’s psychological reactions to relentless tension. Readers will ache for these strong characters and yearn for them to find freedom and peace.” —Booklist Starred Review

“There are moments of love in this harsh, affecting first novel, but the story mostly conveys the taking of personal freedom and human dignity. The presence of the apparition is fanciful, but it works well in bringing resolution to an imbalanced set of happenings.”—Library Journal

“One of those rare novels so assured, so beautiful and so singular in voice that it almost seems besides the point to say it's a debut (and yet it is). Natashia Deón's Grace is a powerfully telling tale of two generations of women and those in their lives over a nation-defining period of American history. This is when slavery was fought for and ended on this very ground. This is also when tribulation and hardship did not just end because slavery finally did. The sparks of determination, resilience, aspiration, hope, and, grace (yes), all burn, even against great odds, helping light the way. Set 150 years and more ago, Grace carries resonance and meaning for us today. I can't wait to put this in readers' hands.”—Rick Simonson, Elliott Bay Book Company

 “Natashia Deón’s gorgeous debut is not only a piercing and unwavering exploration of slavery and its legacy, but also a fierce insistence that we honor and acknowledge the ghosts that haunt our America today. Like all important, classic books, Grace makes a story we think we know, the story of our country and its people, dazzling and new. This is not a book anyone is going to be able to put down—or forget.” —Dana Johnson, author ofElsewhere, California, nominee for the Hurston/Wright Legacy Award

"The ghost narrator in Grace articulates how she feels when she falls in love: filled. It is precisely how this flawlessly constructed novel will leave you. With muscular prose whose poetry is unforced, Deón lights a fire under the feet of her characters, women and men consumed by their fidelity to each other and untamed by their circumstances, who charge through history at the speed of thought. Deón makes the case anew that the facts of the past can only be understood by training an unflinching gaze upon the human beings who survived its horrors and proves on every page that only a consummate writer is equal to the task." —Ru Freeman, author of A Disobedient Girl and On Sal Mal Lane

“Natashia Deón’s superlative, gorgeously written debut grips you by the throat, exploring a teeming, post-Civil War world where the emancipation of slaves can be anything but freedom, violence is as casual as a cough, and love between a mother and a daughter can transcend even death. Scorchingly brilliant, this is one novel that already feels like a classic.” —Caroline Leavitt, New York Times Bestselling author of Is This Tomorrow and Pictures of You

“People will compare this book to Twelve Years a Slave, Cold Mountain, andBeloved, and those are fair comparisons for the kind of time and place here, and the evocation of the south 150 years ago. But reading it, I thought of murder ballads, those songs of melancholy and injustice. Natashia Deón’s genius lies, in part, in writing a book that sustains a murder ballad’s intensity for hundreds of pages and gets into your bones like a song.”—Rebecca Solnit, author of Men Explain Things to Me and The Faraway Nearby

Natashia Deón is the recipient of a PEN Center US Emerging Voices Fellowship and has been awarded fellowships and residencies at Yale, Bread Loaf, Dickinson House in Belgium, and the Virginia Center for Creative Arts. Named one of 2013’s Most Fascinating People by LA Weekly, she has a MFA from UC Riverside and is the creator of the popular LA-based reading series, Dirty Laundry Lit. A practicing lawyer, she currently teaches law at Trinity Law School and Mount Saint Mary’s College.

David L. Ulin is the author or editor of eight previous books, including The Lost Art of Reading: Why Books Matter in a Distracted Time and the Library of America’s Writing Los Angeles: A Literary Anthology, which won a California Book Award. A 2015 Guggenheim Fellow, he is book critic of the Los Angeles Times.