Shakespeare Anyone?

Mini: Shakespeare and Stephen King with Caroline Bicks, author of Monsters in the Archives

May 6, 2026
Caroline Bicks, Stephen E. King Chair in Literature and author of Monsters in the Archives, explores how Stephen King’s drafts echo Shakespeare. She discusses grief as horror’s core, surprising Shakespearean traces in King’s manuscripts, King's ear for sound and revision choices, and how monsters reveal human stories. Short, witty, and a bit spooky.
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ANECDOTE

How A Shakespeare Scholar Entered King's Archive

  • Caroline Bicks got the Stephen E. King Chair while working as a Shakespeare scholar and was invited by King after four years in the post.
  • She spent a sabbatical reading King's early drafts in the Kings' climate-controlled archive, an opportunity King and his family permitted her to pursue.
INSIGHT

Sound Choices Make Words Haunt Readers

  • King's language sticks because he crafts sound as carefully as meaning, making prose function like poetry that echoes in readers' heads.
  • Manuscripts show King debating exact words and telling editors "say it out loud, you'll see," prioritizing auditory effect in revision.
INSIGHT

Grief, Not Gore, Is King's Core Horror

  • King's most enduring horror moments connect to real human grief and trauma rather than mere gore or jump scares.
  • Pet Sematary exemplifies this: King admitted it was so horrific he nearly didn't publish it because it's about a child's death and grief-driven bad decisions.
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