The History Of European Theatre Consent and Other Big Questions in ‘Measure for Measure’: A Conversation with Roberta Barker
Episode 207:
It was just about this time last year I talked to Roberta Barker about her work on the boy actors of the Elizabethan period and she mentioned at the time that she was then working on a new edition of ‘Measure for Measure’ for Cambridge University Press and I’m pleased to say that she agreed to carve some time out of her busy schedule to discuss the play with us today. Having been immersed in the play for a long time there is no one better placed at the moment than Roberta to discuss the play so I was particularly pleased when she agreed to come back onto the podcast at this point.
Roberta Barker is a member of the Joint Faculty of King’s College, London, where she is Professor of Theatre teaching in the Foundation Year and Early Modern Studies programs, and Dalhousie University, Halifax Nova Scotia, where she teaches Theatre in the Fountain School of Performing Arts. Her research interests centre upon the relationship between performance and the social construction of identity and has explored such topics as the representation of gender and class in early modern tragedy, the early modern careers and modern afterlives of Shakespeare’s boy players, and the role played by the performance of illness on the nineteenth-century stage in the evolution of realist style. She is also a theatre and opera director.
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