
Blank Check with Griffin & David Critical Darlings: Frankenstein And The Craft Category Juggernauts with Bilge Ebiri
Wuthering Heights Research Marathon
- Bilge watched dozens of global Wuthering Heights adaptations over a year for a ranking project.
- She bought rare DVDs, used gray-market sources, and even accepted burned files from sellers.
Two-Part Focus Changes Sympathies
- Del Toro nearly split Frankenstein into two films, favoring the monster's viewpoint over Victor's.
- This choice makes Victor less sympathetic and reshapes audience alignment toward the creature.
Childhood Love For Branagh's Frankenstein
- Richard and his sister repeatedly rented Kenneth Branagh's Mary Shelley's Frankenstein as kids.
- The film's ornate, gothic visuals made it a formative, memorable favorite for them.


















This week we’re brooding, Victorian style, with Vulture’s Bilge Ebiri! Guillermo del Toro’s Frankenstein is a Best Picture nominee and is well represented in the craft categories, but it has only one acting nomination, for Jacob Elordi’s hulking monster. It’s of a piece with past craft-heavy Oscar contenders like Dune or The Lord of the Rings, but does Frankenstein actually stand a chance? We discuss the film itself, its lavish sets and costumes, del Toro’s choice to center the monster as the hero, and how that decision reshapes the monster’s opposite, Victor, played by Oscar Isaac.
We also touch on the new Wuthering Heights, also starring Jacob Elordi, the history of Wuthering Heights adaptations, the shameless state of celebrity Super Bowl ads, and finally atone for our past sins, as Bilge defends previous subjects Train Dreams and Hamnet against our critiques. As it turns out, we were the monster all along.
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