Auto-Tune may be a common plug-in for fixing vocal pitch, but in this episode Paul White explains the basics and demonstrates 7 tips to help you create a variety of alternative textured soundscapes.
Chapters 00:00 - Introduction 00:46 - Tip 1: Natural Sounding Auto-Tune 03:07 - Tip 2: Robotic Style Auto-Tune 04:27 - Tip 3: Adding Auto-Tune To Sends 05:12 - Tip 4: Controlling Auto-Tune With MIDI 06:17 - Tip 5: Creating Musical Soundscapes 08:55 - Tip 6: Using Auto-Tune For Double Tracking 09:47 - Tip 7: Using Auto-Tune On Pitch Bends 10:47 - Demo Showcasing Various Auto-Tune Techniques
Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.
He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.
Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!
