63 From Dancing on Broadway to Hollywood Success with Alexis Carra
The School of Greatness
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Wicked: The Next Transition?
I was an ensemble and I would understudy a lot of times or I would dance captain the shows, which was mean that I would be a part of crew keeping like the show looking clean and put together. But I moved to New York and because I had the Fosse experience, it did make it easier for me to just like go to auditions. In the Broadway scene, which is different from here, you don't really have an agent. You can just go to open calls all the time. They're required. So like wicked every six months has a required call. And that's how I got wicked.
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